{"id":9227,"date":"2026-04-10T15:24:32","date_gmt":"2026-04-10T20:24:32","guid":{"rendered":"https:\/\/www.ccincagarcilaso.gob.pe\/actividades\/inorganico\/"},"modified":"2026-05-14T09:58:28","modified_gmt":"2026-05-14T14:58:28","slug":"inorganico","status":"publish","type":"actividades","link":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/activities\/inorganico\/","title":{"rendered":"(IN)ORGANIC"},"content":{"rendered":"
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On Friday, 17 April, at 12 noon, the public will be able to view the visual presentation \u201c(In)organic\u201d by Marina Garc\u00eda Burgos, a project that questions our relationship with the territory through the contrast of materials.\u00a0 The exhibition intertwines the fragility of Peruvian ecosystems with the hardness of artificial and historical materials\u2014such as colonial majolica or the metal of obsolete coins\u2014to open a dialogue about memory, value, and the impact of humanity.<\/p>\n

The exhibition, curated by Jorge Villacorta, consists of two photographs and a sculptural piece made from coins. In the photographic works\u2014from which the color has been removed\u2014the image is printed onto an irregular composition of majolica tiles.<\/p>\n

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5 paneles de mayo\u0301licas impresas<\/div>\n
5 paneles de mayo\u0301licas impresas<\/figure><\/a>\n
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Panel 1 VERDE (1)<\/div>\n
Panel 1 VERDE (1)<\/figure><\/a>\n
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panel 2 VERDE<\/div>\n
panel 2 VERDE<\/figure><\/a>\n
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Panel 4 VERDE<\/div>\n
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Regarding the work, the curator comments: \u201cSubjecting a landscape representation to a conceptual and material action that radically transforms it is not the only artistic intention of Marina Garc\u00eda Burgos in (In)organic. However, it is what makes this solo exhibition a unique presentation: due to the perceptual shift to which we, the visitors, are subjected, as we are led to a point far removed from the classical conventions that have defined landscape photography.\u201d\u00a0 He adds that: \u201cIn (In)organic, there is a subtle subversion of the photographic lingua franca currently spoken in Peru, through a sculptural approach that questions historical inequality with economic precision.\u201d<\/p>\n

Marina Garc\u00eda Burgos (Lima, 1968) studied television in Madrid, film in Siena, and photography at the KODAK Center in Lima, the International Center of Photography in New York, and Central Saint Martins School of Art in London. Much of her work stems from her connection to the Peruvian Amazon, where she has met indigenous communities and gathered stories that inform her visual language.\u00a0 The use of fragile or recycled materials adds an experimental and risky dimension: each attempt is a discovery, each success reveals a landscape that transcends the traditional boundaries of photography.<\/p>\n

The exhibition will be open until 31 May; Tuesday through Friday, from 10 a.m. to 8 p.m.; Saturdays, Sundays, and holidays, from 10 a.m. to 6 p.m. Admission is free.<\/p>\n<\/div>\n

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