{"id":3262,"date":"2021-07-27T13:10:42","date_gmt":"2021-07-27T18:10:42","guid":{"rendered":"https:\/\/www.ccincagarcilaso.gob.pe\/actividades\/el-peru-ante-al-mundo\/"},"modified":"2025-07-01T10:31:01","modified_gmt":"2025-07-01T15:31:01","slug":"el-peru-ante-al-mundo","status":"publish","type":"actividades","link":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/activities\/el-peru-ante-al-mundo\/","title":{"rendered":"Exhibition “Peru before the world”"},"content":{"rendered":"
This exhibition, curated by Luis Eduardo Wuffarden, is a presentation of various formats and supports of maps, paintings, documents and images that invite you to rediscover the legacy of this Bicentennial institution.<\/p>\n
![\n<\/div>\nJos\u00e9 de San Mart\u00edn. Jacques Maes, 1950. Oil on canvas, 82 x 66 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/div>\nJos\u00e9 de San Mart\u00edn. Jacques Maes, 1950. Oil on canvas, 82 x 66 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/figure><\/a>\n<\/div>\nMariscal (Marshal) Ram\u00f3n Castilla, circa 1858-1862. Anonymous. Oil on canvas 72.5 x 59 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/div>\nMariscal (Marshal) Ram\u00f3n Castilla, circa 1858-1862. Anonymous. Oil on canvas 72.5 x 59 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/figure><\/a>\n<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande, circa 1955\/1960. Fred Stratton. Oil on canvas 82 x 68.5 cm. Mariscal Ram\u00f3n Castilla, circa 1858-1862. Anonymous. Oil on canvas 72.5 x 59 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande, circa 1955\/1960. Fred Stratton. Oil on canvas 82 x 68.5 cm. Mariscal Ram\u00f3n Castilla, circa 1858-1862. Anonymous. Oil on canvas 72.5 x 59 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/figure><\/a>\n<\/div>\nJavier P\u00e9rez de Cu\u00e9llar, 2012. Eduardo Cervantes. Oil on canvas, 77 x 60 cm. Diplomatic Academy of Peru Collection. Marshal Ram\u00f3n Castilla, circa 1858-1862. Anonymous. Oil on canvas 72.5 x 59 cm. Diplomatic Academy of Peru Collection. Photo: D. Giannoni.<\/div>\nJavier P\u00e9rez de Cu\u00e9llar, 2012. Eduardo Cervantes. Oil on canvas, 77 x 60 cm. Diplomatic Academy of Peru Collection. Marshal Ram\u00f3n Castilla, circa 1858-1862. Anonymous. Oil on canvas 72.5 x 59 cm. Diplomatic Academy of Peru Collection. Photo: D. Giannoni.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nThe commemoration of the Bicentennial of the Ministry of Foreign Affairs, on 3 August 2021 is a moment of historical balance and projection for our diplomacy. In the history of the republic, the Ministry of Foreign Affairs has been a defining actor of territorial integrity, a trainer of nationality and a bearer of a sense of the State.<\/p>\n\n\n\n<\/div>\nMariana Echevarr\u00eda de Santiago y Ulloa, fourth Marquise of Torre Tagle. 1822. Jos\u00e9 Gil de Castro. Oil on canvas, 203 x 128 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/div>\nMariana Echevarr\u00eda de Santiago y Ulloa, fourth Marquise of Torre Tagle. 1822. Jos\u00e9 Gil de Castro. Oil on canvas, 203 x 128 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/figure><\/a>\n<\/div>\nJos\u00e9 Bernardo de Tagle y Portocarrero, fourth Marquis of Torre Tagle. 1828. Jos\u00e9 Gil de Castro. Oil on canvas, 208 x 128 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/div>\nJos\u00e9 Bernardo de Tagle y Portocarrero, fourth Marquis of Torre Tagle. 1828. Jos\u00e9 Gil de Castro. Oil on canvas, 208 x 128 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/figure><\/a>\n<\/div>\nPhoto: Manuel Guardia.<\/div>\nPhoto: Manuel Guardia.<\/figure><\/a>\n<\/div>\nRetrato de Jos\u00e9 Larrea y Loredo (Portrait of Jos\u00e9 Larrea y Loredo), 1829-1830. Jos\u00e9 Gil de Castro. Oil on canvas. Collection Museo Nacional de Antropolog\u00eda, Arqueolog\u00eda e Historia del Per\u00fa (National Museum of Anthropology, Archaeology and History of Peru). Photo: Manuel Guardia.<\/div>\nRetrato de Jos\u00e9 Larrea y Loredo (Portrait of Jos\u00e9 Larrea y Loredo), 1829-1830. Jos\u00e9 Gil de Castro. Oil on canvas. Collection Museo Nacional de Antropolog\u00eda, Arqueolog\u00eda e Historia del Per\u00fa (National Museum of Anthropology, Archaeology and History of Peru). Photo: Manuel Guardia.<\/figure><\/a>\n<\/div>\nProcesi\u00f3n del Corpus Christi (Corpus Christi Procession), 1910. Te\u00f3filo Castillo. Oil on canvas, 145.5 x 106 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/div>\nProcesi\u00f3n del Corpus Christi (Corpus Christi Procession), 1910. Te\u00f3filo Castillo. Oil on canvas, 145.5 x 106 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nThroughout the nineteenth and twentieth centuries, the Ministry of Foreign Affairs made contribution to the protection and consolidation of the sovereignty of Peru and its borders, through the efforts for the international recognition of the independent country; the confirmation of the Peruvian identity of Tumbes, Ja\u00e9n and Maynas; the negotiation and fixing of borders; the resistance to the interference of the great powers of the nineteenth century; the return of Tacna; the defence of the 200 miles; the peace negotiations with Ecuador; and already in the 21st century, the decision of The Hague, among many other chapters.<\/p>\n\n\n\n<\/div>\nAlegor\u00eda de la Uni\u00f3n Americana (Allegory of the American Union), 1865. Mariano Florentino Olivares. Oil on canvas adhered to nordex, 51.5 x 40.5 cm. Lima Museum of Art. Donated by Jorge Roa.<\/div>\nAlegor\u00eda de la Uni\u00f3n Americana (Allegory of the American Union), 1865. Mariano Florentino Olivares. Oil on canvas adhered to nordex, 51.5 x 40.5 cm. Lima Museum of Art. Donated by Jorge Roa.<\/figure><\/a>\n<\/div>\nPhoto: Manuel Guardia.<\/div>\nPhoto: Manuel Guardia.<\/figure><\/a>\n<\/div>\n\u201cConcurso universal de proyectos para el monumento que se construir\u00e1 en memoria del combate del Callao\u201d (“Universal competition of projects for the monument to be built in memory of the Battle of Callao”). Models submitted to the international competition for the monument to the Combat of the Second of May, held in Paris. Engraving, 15.5 x 24.5 cm. Vladimir Vel\u00e1squez Collection.<\/div>\n\u201cConcurso universal de proyectos para el monumento que se construir\u00e1 en memoria del combate del Callao\u201d (“Universal competition of projects for the monument to be built in memory of the Battle of Callao”). Models submitted to the international competition for the monument to the Combat of the Second of May, held in Paris. Engraving, 15.5 x 24.5 cm. Vladimir Vel\u00e1squez Collection.<\/figure><\/a>\n<\/div>\nVenus india, circa (Indian Venus, circa) 1927. Ram\u00f3n Mateu. Modelled by the Valencian sculptor in Cuzco, it was cast in Spain and donated to Torre Tagle in 1931 by Chancellor Larco Herrera. Cast bronze 87 x 87 x 34 cm. Photo: D. Giannoni.<\/div>\nVenus india, circa (Indian Venus, circa) 1927. Ram\u00f3n Mateu. Modelled by the Valencian sculptor in Cuzco, it was cast in Spain and donated to Torre Tagle in 1931 by Chancellor Larco Herrera. Cast bronze 87 x 87 x 34 cm. Photo: D. Giannoni.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nIn this way, the Ministry of Foreign Affairs has helped to determine the contours of our nationality, and then to place Peru in the world as a peaceful and cooperative country, successively and simultaneously Americanist, Latin Americanist, Andean, and at the origin of integration schemes such as the Andean Community, the South American Community of Nations and the Pacific Alliance, as well as many regional initiatives for political concertation, crisis resolution and the defence of democracy.<\/p>\n\n\n\n<\/div>\n“House of the Viceroys”, also known as the palace of Torre Tagle. Photograph attributed to Villroy L. Richardson. Lima, 1863. Printed on albuminated paper. Vladimir Vel\u00e1squez Collection.<\/div>\n“House of the Viceroys”, also known as the palace of Torre Tagle. Photograph attributed to Villroy L. Richardson. Lima, 1863. Printed on albuminated paper. Vladimir Vel\u00e1squez Collection.<\/figure><\/a>\n<\/div>\nRemodelling of Torre Tagle, 1957. Photo: H. Acevedo \/ La Prensa. Vladimir Vel\u00e1squez Collection.<\/div>\nRemodelling of Torre Tagle, 1957. Photo: H. Acevedo \/ La Prensa. Vladimir Vel\u00e1squez Collection.<\/figure><\/a>\n<\/div>\nEntrance hall and main courtyard, when it still had the swimming pool. 1930s. Photos: M. Gonz\u00e1lez Salazar. Vladimir Vel\u00e1squez Collection.<\/div>\nEntrance hall and main courtyard, when it still had the swimming pool. 1930s. Photos: M. Gonz\u00e1lez Salazar. Vladimir Vel\u00e1squez Collection.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nDiplomatic history also shows Peru and its diplomats as protagonists of crucial multilateral efforts for the world, such as the human rights regime, sustainable development, the law of the sea and the fight against climate change.<\/p>\n\n\n\n<\/div>\nRa\u00fal Porras Barrenechea and V\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. MRE Central Archive.<\/div>\nRa\u00fal Porras Barrenechea and V\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. MRE Central Archive.<\/figure><\/a>\n<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. Central Archive of the MRE.<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. Central Archive of the MRE.<\/figure><\/a>\n<\/div>\nReading of the ruling of the International Court of Justice in The Hague on the maritime delimitation between Peru and Chile, 27 January 2014. Statements by the Agent of Peru, Ambassador Allan Wagner.<\/div>\nReading of the ruling of the International Court of Justice in The Hague on the maritime delimitation between Peru and Chile, 27 January 2014. Statements by the Agent of Peru, Ambassador Allan Wagner.<\/figure><\/a>\n<\/div>\nExtradition Treaty between Peru and Great Britain, signed in 1904. General Directorate of Treaties of the MRE. Photo: Manuel Guardia.<\/div>\nExtradition Treaty between Peru and Great Britain, signed in 1904. General Directorate of Treaties of the MRE. Photo: Manuel Guardia.<\/figure><\/a>\n<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nThe Ministry of Foreign Affairs has helped to forge a sense of the State in Peru. Peruvian society demands an increasingly inclusive Ministry of Foreign Affairs, attentive to gender equity, open to Peruvian cultural and linguistic diversity, so that it is a true instrument for the formation of a more prosperous, just, egalitarian, diverse, creative and democratic Peru.<\/p>\n\n\n\n<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/figure><\/a>\n<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/figure><\/a>\n<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\n","protected":false},"featured_media":2866,"menu_order":7,"template":"","tipo":[32,27],"class_list":["post-3262","actividades","type-actividades","status-publish","has-post-thumbnail","hentry","tipo-archive","tipo-exhibitions","entry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades\/3262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades"}],"about":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/types\/actividades"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media\/2866"}],"wp:attachment":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media?parent=3262"}],"wp:term":[{"taxonomy":"tipo","embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/tipo?post=3262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"https:\/\/www.ccincagarcilaso.gob.pe\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-28-at-4.34.52-PM.png\"){kind=link}
![\n<\/div>\nMariscal (Marshal) Ram\u00f3n Castilla, circa 1858-1862. Anonymous. Oil on canvas 72.5 x 59 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/div>\nMariscal (Marshal) Ram\u00f3n Castilla, circa 1858-1862. Anonymous. Oil on canvas 72.5 x 59 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/figure><\/a>\n<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande, circa 1955\/1960. Fred Stratton. Oil on canvas 82 x 68.5 cm. Mariscal Ram\u00f3n Castilla, circa 1858-1862. Anonymous. Oil on canvas 72.5 x 59 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande, circa 1955\/1960. Fred Stratton. Oil on canvas 82 x 68.5 cm. Mariscal Ram\u00f3n Castilla, circa 1858-1862. Anonymous. Oil on canvas 72.5 x 59 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/figure><\/a>\n<\/div>\nJavier P\u00e9rez de Cu\u00e9llar, 2012. Eduardo Cervantes. Oil on canvas, 77 x 60 cm. Diplomatic Academy of Peru Collection. Marshal Ram\u00f3n Castilla, circa 1858-1862. Anonymous. Oil on canvas 72.5 x 59 cm. Diplomatic Academy of Peru Collection. Photo: D. Giannoni.<\/div>\nJavier P\u00e9rez de Cu\u00e9llar, 2012. Eduardo Cervantes. Oil on canvas, 77 x 60 cm. Diplomatic Academy of Peru Collection. Marshal Ram\u00f3n Castilla, circa 1858-1862. Anonymous. Oil on canvas 72.5 x 59 cm. Diplomatic Academy of Peru Collection. Photo: D. Giannoni.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nThe commemoration of the Bicentennial of the Ministry of Foreign Affairs, on 3 August 2021 is a moment of historical balance and projection for our diplomacy. In the history of the republic, the Ministry of Foreign Affairs has been a defining actor of territorial integrity, a trainer of nationality and a bearer of a sense of the State.<\/p>\n\n\n\n<\/div>\nMariana Echevarr\u00eda de Santiago y Ulloa, fourth Marquise of Torre Tagle. 1822. Jos\u00e9 Gil de Castro. Oil on canvas, 203 x 128 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/div>\nMariana Echevarr\u00eda de Santiago y Ulloa, fourth Marquise of Torre Tagle. 1822. Jos\u00e9 Gil de Castro. Oil on canvas, 203 x 128 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/figure><\/a>\n<\/div>\nJos\u00e9 Bernardo de Tagle y Portocarrero, fourth Marquis of Torre Tagle. 1828. Jos\u00e9 Gil de Castro. Oil on canvas, 208 x 128 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/div>\nJos\u00e9 Bernardo de Tagle y Portocarrero, fourth Marquis of Torre Tagle. 1828. Jos\u00e9 Gil de Castro. Oil on canvas, 208 x 128 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/figure><\/a>\n<\/div>\nPhoto: Manuel Guardia.<\/div>\nPhoto: Manuel Guardia.<\/figure><\/a>\n<\/div>\nRetrato de Jos\u00e9 Larrea y Loredo (Portrait of Jos\u00e9 Larrea y Loredo), 1829-1830. Jos\u00e9 Gil de Castro. Oil on canvas. Collection Museo Nacional de Antropolog\u00eda, Arqueolog\u00eda e Historia del Per\u00fa (National Museum of Anthropology, Archaeology and History of Peru). Photo: Manuel Guardia.<\/div>\nRetrato de Jos\u00e9 Larrea y Loredo (Portrait of Jos\u00e9 Larrea y Loredo), 1829-1830. Jos\u00e9 Gil de Castro. Oil on canvas. Collection Museo Nacional de Antropolog\u00eda, Arqueolog\u00eda e Historia del Per\u00fa (National Museum of Anthropology, Archaeology and History of Peru). Photo: Manuel Guardia.<\/figure><\/a>\n<\/div>\nProcesi\u00f3n del Corpus Christi (Corpus Christi Procession), 1910. Te\u00f3filo Castillo. Oil on canvas, 145.5 x 106 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/div>\nProcesi\u00f3n del Corpus Christi (Corpus Christi Procession), 1910. Te\u00f3filo Castillo. Oil on canvas, 145.5 x 106 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nThroughout the nineteenth and twentieth centuries, the Ministry of Foreign Affairs made contribution to the protection and consolidation of the sovereignty of Peru and its borders, through the efforts for the international recognition of the independent country; the confirmation of the Peruvian identity of Tumbes, Ja\u00e9n and Maynas; the negotiation and fixing of borders; the resistance to the interference of the great powers of the nineteenth century; the return of Tacna; the defence of the 200 miles; the peace negotiations with Ecuador; and already in the 21st century, the decision of The Hague, among many other chapters.<\/p>\n\n\n\n<\/div>\nAlegor\u00eda de la Uni\u00f3n Americana (Allegory of the American Union), 1865. Mariano Florentino Olivares. Oil on canvas adhered to nordex, 51.5 x 40.5 cm. Lima Museum of Art. Donated by Jorge Roa.<\/div>\nAlegor\u00eda de la Uni\u00f3n Americana (Allegory of the American Union), 1865. Mariano Florentino Olivares. Oil on canvas adhered to nordex, 51.5 x 40.5 cm. Lima Museum of Art. Donated by Jorge Roa.<\/figure><\/a>\n<\/div>\nPhoto: Manuel Guardia.<\/div>\nPhoto: Manuel Guardia.<\/figure><\/a>\n<\/div>\n\u201cConcurso universal de proyectos para el monumento que se construir\u00e1 en memoria del combate del Callao\u201d (“Universal competition of projects for the monument to be built in memory of the Battle of Callao”). Models submitted to the international competition for the monument to the Combat of the Second of May, held in Paris. Engraving, 15.5 x 24.5 cm. Vladimir Vel\u00e1squez Collection.<\/div>\n\u201cConcurso universal de proyectos para el monumento que se construir\u00e1 en memoria del combate del Callao\u201d (“Universal competition of projects for the monument to be built in memory of the Battle of Callao”). Models submitted to the international competition for the monument to the Combat of the Second of May, held in Paris. Engraving, 15.5 x 24.5 cm. Vladimir Vel\u00e1squez Collection.<\/figure><\/a>\n<\/div>\nVenus india, circa (Indian Venus, circa) 1927. Ram\u00f3n Mateu. Modelled by the Valencian sculptor in Cuzco, it was cast in Spain and donated to Torre Tagle in 1931 by Chancellor Larco Herrera. Cast bronze 87 x 87 x 34 cm. Photo: D. Giannoni.<\/div>\nVenus india, circa (Indian Venus, circa) 1927. Ram\u00f3n Mateu. Modelled by the Valencian sculptor in Cuzco, it was cast in Spain and donated to Torre Tagle in 1931 by Chancellor Larco Herrera. Cast bronze 87 x 87 x 34 cm. Photo: D. Giannoni.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nIn this way, the Ministry of Foreign Affairs has helped to determine the contours of our nationality, and then to place Peru in the world as a peaceful and cooperative country, successively and simultaneously Americanist, Latin Americanist, Andean, and at the origin of integration schemes such as the Andean Community, the South American Community of Nations and the Pacific Alliance, as well as many regional initiatives for political concertation, crisis resolution and the defence of democracy.<\/p>\n\n\n\n<\/div>\n“House of the Viceroys”, also known as the palace of Torre Tagle. Photograph attributed to Villroy L. Richardson. Lima, 1863. Printed on albuminated paper. Vladimir Vel\u00e1squez Collection.<\/div>\n“House of the Viceroys”, also known as the palace of Torre Tagle. Photograph attributed to Villroy L. Richardson. Lima, 1863. Printed on albuminated paper. Vladimir Vel\u00e1squez Collection.<\/figure><\/a>\n<\/div>\nRemodelling of Torre Tagle, 1957. Photo: H. Acevedo \/ La Prensa. Vladimir Vel\u00e1squez Collection.<\/div>\nRemodelling of Torre Tagle, 1957. Photo: H. Acevedo \/ La Prensa. Vladimir Vel\u00e1squez Collection.<\/figure><\/a>\n<\/div>\nEntrance hall and main courtyard, when it still had the swimming pool. 1930s. Photos: M. Gonz\u00e1lez Salazar. Vladimir Vel\u00e1squez Collection.<\/div>\nEntrance hall and main courtyard, when it still had the swimming pool. 1930s. Photos: M. Gonz\u00e1lez Salazar. Vladimir Vel\u00e1squez Collection.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nDiplomatic history also shows Peru and its diplomats as protagonists of crucial multilateral efforts for the world, such as the human rights regime, sustainable development, the law of the sea and the fight against climate change.<\/p>\n\n\n\n<\/div>\nRa\u00fal Porras Barrenechea and V\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. MRE Central Archive.<\/div>\nRa\u00fal Porras Barrenechea and V\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. MRE Central Archive.<\/figure><\/a>\n<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. Central Archive of the MRE.<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. Central Archive of the MRE.<\/figure><\/a>\n<\/div>\nReading of the ruling of the International Court of Justice in The Hague on the maritime delimitation between Peru and Chile, 27 January 2014. Statements by the Agent of Peru, Ambassador Allan Wagner.<\/div>\nReading of the ruling of the International Court of Justice in The Hague on the maritime delimitation between Peru and Chile, 27 January 2014. Statements by the Agent of Peru, Ambassador Allan Wagner.<\/figure><\/a>\n<\/div>\nExtradition Treaty between Peru and Great Britain, signed in 1904. General Directorate of Treaties of the MRE. Photo: Manuel Guardia.<\/div>\nExtradition Treaty between Peru and Great Britain, signed in 1904. General Directorate of Treaties of the MRE. Photo: Manuel Guardia.<\/figure><\/a>\n<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nThe Ministry of Foreign Affairs has helped to forge a sense of the State in Peru. Peruvian society demands an increasingly inclusive Ministry of Foreign Affairs, attentive to gender equity, open to Peruvian cultural and linguistic diversity, so that it is a true instrument for the formation of a more prosperous, just, egalitarian, diverse, creative and democratic Peru.<\/p>\n\n\n\n<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/figure><\/a>\n<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/figure><\/a>\n<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\n","protected":false},"featured_media":2866,"menu_order":7,"template":"","tipo":[32,27],"class_list":["post-3262","actividades","type-actividades","status-publish","has-post-thumbnail","hentry","tipo-archive","tipo-exhibitions","entry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades\/3262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades"}],"about":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/types\/actividades"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media\/2866"}],"wp:attachment":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media?parent=3262"}],"wp:term":[{"taxonomy":"tipo","embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/tipo?post=3262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"https:\/\/www.ccincagarcilaso.gob.pe\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-27-at-1.17.13-PM.png\"){kind=link}
![\n<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande, circa 1955\/1960. Fred Stratton. Oil on canvas 82 x 68.5 cm. Mariscal Ram\u00f3n Castilla, circa 1858-1862. Anonymous. Oil on canvas 72.5 x 59 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande, circa 1955\/1960. Fred Stratton. Oil on canvas 82 x 68.5 cm. Mariscal Ram\u00f3n Castilla, circa 1858-1862. Anonymous. Oil on canvas 72.5 x 59 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/figure><\/a>\n<\/div>\nJavier P\u00e9rez de Cu\u00e9llar, 2012. Eduardo Cervantes. Oil on canvas, 77 x 60 cm. Diplomatic Academy of Peru Collection. Marshal Ram\u00f3n Castilla, circa 1858-1862. Anonymous. Oil on canvas 72.5 x 59 cm. Diplomatic Academy of Peru Collection. Photo: D. Giannoni.<\/div>\nJavier P\u00e9rez de Cu\u00e9llar, 2012. Eduardo Cervantes. Oil on canvas, 77 x 60 cm. Diplomatic Academy of Peru Collection. Marshal Ram\u00f3n Castilla, circa 1858-1862. Anonymous. Oil on canvas 72.5 x 59 cm. Diplomatic Academy of Peru Collection. Photo: D. Giannoni.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nThe commemoration of the Bicentennial of the Ministry of Foreign Affairs, on 3 August 2021 is a moment of historical balance and projection for our diplomacy. In the history of the republic, the Ministry of Foreign Affairs has been a defining actor of territorial integrity, a trainer of nationality and a bearer of a sense of the State.<\/p>\n\n\n\n<\/div>\nMariana Echevarr\u00eda de Santiago y Ulloa, fourth Marquise of Torre Tagle. 1822. Jos\u00e9 Gil de Castro. Oil on canvas, 203 x 128 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/div>\nMariana Echevarr\u00eda de Santiago y Ulloa, fourth Marquise of Torre Tagle. 1822. Jos\u00e9 Gil de Castro. Oil on canvas, 203 x 128 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/figure><\/a>\n<\/div>\nJos\u00e9 Bernardo de Tagle y Portocarrero, fourth Marquis of Torre Tagle. 1828. Jos\u00e9 Gil de Castro. Oil on canvas, 208 x 128 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/div>\nJos\u00e9 Bernardo de Tagle y Portocarrero, fourth Marquis of Torre Tagle. 1828. Jos\u00e9 Gil de Castro. Oil on canvas, 208 x 128 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/figure><\/a>\n<\/div>\nPhoto: Manuel Guardia.<\/div>\nPhoto: Manuel Guardia.<\/figure><\/a>\n<\/div>\nRetrato de Jos\u00e9 Larrea y Loredo (Portrait of Jos\u00e9 Larrea y Loredo), 1829-1830. Jos\u00e9 Gil de Castro. Oil on canvas. Collection Museo Nacional de Antropolog\u00eda, Arqueolog\u00eda e Historia del Per\u00fa (National Museum of Anthropology, Archaeology and History of Peru). Photo: Manuel Guardia.<\/div>\nRetrato de Jos\u00e9 Larrea y Loredo (Portrait of Jos\u00e9 Larrea y Loredo), 1829-1830. Jos\u00e9 Gil de Castro. Oil on canvas. Collection Museo Nacional de Antropolog\u00eda, Arqueolog\u00eda e Historia del Per\u00fa (National Museum of Anthropology, Archaeology and History of Peru). Photo: Manuel Guardia.<\/figure><\/a>\n<\/div>\nProcesi\u00f3n del Corpus Christi (Corpus Christi Procession), 1910. Te\u00f3filo Castillo. Oil on canvas, 145.5 x 106 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/div>\nProcesi\u00f3n del Corpus Christi (Corpus Christi Procession), 1910. Te\u00f3filo Castillo. Oil on canvas, 145.5 x 106 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nThroughout the nineteenth and twentieth centuries, the Ministry of Foreign Affairs made contribution to the protection and consolidation of the sovereignty of Peru and its borders, through the efforts for the international recognition of the independent country; the confirmation of the Peruvian identity of Tumbes, Ja\u00e9n and Maynas; the negotiation and fixing of borders; the resistance to the interference of the great powers of the nineteenth century; the return of Tacna; the defence of the 200 miles; the peace negotiations with Ecuador; and already in the 21st century, the decision of The Hague, among many other chapters.<\/p>\n\n\n\n<\/div>\nAlegor\u00eda de la Uni\u00f3n Americana (Allegory of the American Union), 1865. Mariano Florentino Olivares. Oil on canvas adhered to nordex, 51.5 x 40.5 cm. Lima Museum of Art. Donated by Jorge Roa.<\/div>\nAlegor\u00eda de la Uni\u00f3n Americana (Allegory of the American Union), 1865. Mariano Florentino Olivares. Oil on canvas adhered to nordex, 51.5 x 40.5 cm. Lima Museum of Art. Donated by Jorge Roa.<\/figure><\/a>\n<\/div>\nPhoto: Manuel Guardia.<\/div>\nPhoto: Manuel Guardia.<\/figure><\/a>\n<\/div>\n\u201cConcurso universal de proyectos para el monumento que se construir\u00e1 en memoria del combate del Callao\u201d (“Universal competition of projects for the monument to be built in memory of the Battle of Callao”). Models submitted to the international competition for the monument to the Combat of the Second of May, held in Paris. Engraving, 15.5 x 24.5 cm. Vladimir Vel\u00e1squez Collection.<\/div>\n\u201cConcurso universal de proyectos para el monumento que se construir\u00e1 en memoria del combate del Callao\u201d (“Universal competition of projects for the monument to be built in memory of the Battle of Callao”). Models submitted to the international competition for the monument to the Combat of the Second of May, held in Paris. Engraving, 15.5 x 24.5 cm. Vladimir Vel\u00e1squez Collection.<\/figure><\/a>\n<\/div>\nVenus india, circa (Indian Venus, circa) 1927. Ram\u00f3n Mateu. Modelled by the Valencian sculptor in Cuzco, it was cast in Spain and donated to Torre Tagle in 1931 by Chancellor Larco Herrera. Cast bronze 87 x 87 x 34 cm. Photo: D. Giannoni.<\/div>\nVenus india, circa (Indian Venus, circa) 1927. Ram\u00f3n Mateu. Modelled by the Valencian sculptor in Cuzco, it was cast in Spain and donated to Torre Tagle in 1931 by Chancellor Larco Herrera. Cast bronze 87 x 87 x 34 cm. Photo: D. Giannoni.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nIn this way, the Ministry of Foreign Affairs has helped to determine the contours of our nationality, and then to place Peru in the world as a peaceful and cooperative country, successively and simultaneously Americanist, Latin Americanist, Andean, and at the origin of integration schemes such as the Andean Community, the South American Community of Nations and the Pacific Alliance, as well as many regional initiatives for political concertation, crisis resolution and the defence of democracy.<\/p>\n\n\n\n<\/div>\n“House of the Viceroys”, also known as the palace of Torre Tagle. Photograph attributed to Villroy L. Richardson. Lima, 1863. Printed on albuminated paper. Vladimir Vel\u00e1squez Collection.<\/div>\n“House of the Viceroys”, also known as the palace of Torre Tagle. Photograph attributed to Villroy L. Richardson. Lima, 1863. Printed on albuminated paper. Vladimir Vel\u00e1squez Collection.<\/figure><\/a>\n<\/div>\nRemodelling of Torre Tagle, 1957. Photo: H. Acevedo \/ La Prensa. Vladimir Vel\u00e1squez Collection.<\/div>\nRemodelling of Torre Tagle, 1957. Photo: H. Acevedo \/ La Prensa. Vladimir Vel\u00e1squez Collection.<\/figure><\/a>\n<\/div>\nEntrance hall and main courtyard, when it still had the swimming pool. 1930s. Photos: M. Gonz\u00e1lez Salazar. Vladimir Vel\u00e1squez Collection.<\/div>\nEntrance hall and main courtyard, when it still had the swimming pool. 1930s. Photos: M. Gonz\u00e1lez Salazar. Vladimir Vel\u00e1squez Collection.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nDiplomatic history also shows Peru and its diplomats as protagonists of crucial multilateral efforts for the world, such as the human rights regime, sustainable development, the law of the sea and the fight against climate change.<\/p>\n\n\n\n<\/div>\nRa\u00fal Porras Barrenechea and V\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. MRE Central Archive.<\/div>\nRa\u00fal Porras Barrenechea and V\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. MRE Central Archive.<\/figure><\/a>\n<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. Central Archive of the MRE.<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. Central Archive of the MRE.<\/figure><\/a>\n<\/div>\nReading of the ruling of the International Court of Justice in The Hague on the maritime delimitation between Peru and Chile, 27 January 2014. Statements by the Agent of Peru, Ambassador Allan Wagner.<\/div>\nReading of the ruling of the International Court of Justice in The Hague on the maritime delimitation between Peru and Chile, 27 January 2014. Statements by the Agent of Peru, Ambassador Allan Wagner.<\/figure><\/a>\n<\/div>\nExtradition Treaty between Peru and Great Britain, signed in 1904. General Directorate of Treaties of the MRE. Photo: Manuel Guardia.<\/div>\nExtradition Treaty between Peru and Great Britain, signed in 1904. General Directorate of Treaties of the MRE. Photo: Manuel Guardia.<\/figure><\/a>\n<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nThe Ministry of Foreign Affairs has helped to forge a sense of the State in Peru. Peruvian society demands an increasingly inclusive Ministry of Foreign Affairs, attentive to gender equity, open to Peruvian cultural and linguistic diversity, so that it is a true instrument for the formation of a more prosperous, just, egalitarian, diverse, creative and democratic Peru.<\/p>\n\n\n\n<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/figure><\/a>\n<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/figure><\/a>\n<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\n","protected":false},"featured_media":2866,"menu_order":7,"template":"","tipo":[32,27],"class_list":["post-3262","actividades","type-actividades","status-publish","has-post-thumbnail","hentry","tipo-archive","tipo-exhibitions","entry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades\/3262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades"}],"about":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/types\/actividades"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media\/2866"}],"wp:attachment":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media?parent=3262"}],"wp:term":[{"taxonomy":"tipo","embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/tipo?post=3262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"https:\/\/www.ccincagarcilaso.gob.pe\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-28-at-4.35.27-PM.png\"){kind=link}
![\n<\/div>\nJavier P\u00e9rez de Cu\u00e9llar, 2012. Eduardo Cervantes. Oil on canvas, 77 x 60 cm. Diplomatic Academy of Peru Collection. Marshal Ram\u00f3n Castilla, circa 1858-1862. Anonymous. Oil on canvas 72.5 x 59 cm. Diplomatic Academy of Peru Collection. Photo: D. Giannoni.<\/div>\nJavier P\u00e9rez de Cu\u00e9llar, 2012. Eduardo Cervantes. Oil on canvas, 77 x 60 cm. Diplomatic Academy of Peru Collection. Marshal Ram\u00f3n Castilla, circa 1858-1862. Anonymous. Oil on canvas 72.5 x 59 cm. Diplomatic Academy of Peru Collection. Photo: D. Giannoni.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nThe commemoration of the Bicentennial of the Ministry of Foreign Affairs, on 3 August 2021 is a moment of historical balance and projection for our diplomacy. In the history of the republic, the Ministry of Foreign Affairs has been a defining actor of territorial integrity, a trainer of nationality and a bearer of a sense of the State.<\/p>\n\n\n\n<\/div>\nMariana Echevarr\u00eda de Santiago y Ulloa, fourth Marquise of Torre Tagle. 1822. Jos\u00e9 Gil de Castro. Oil on canvas, 203 x 128 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/div>\nMariana Echevarr\u00eda de Santiago y Ulloa, fourth Marquise of Torre Tagle. 1822. Jos\u00e9 Gil de Castro. Oil on canvas, 203 x 128 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/figure><\/a>\n<\/div>\nJos\u00e9 Bernardo de Tagle y Portocarrero, fourth Marquis of Torre Tagle. 1828. Jos\u00e9 Gil de Castro. Oil on canvas, 208 x 128 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/div>\nJos\u00e9 Bernardo de Tagle y Portocarrero, fourth Marquis of Torre Tagle. 1828. Jos\u00e9 Gil de Castro. Oil on canvas, 208 x 128 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/figure><\/a>\n<\/div>\nPhoto: Manuel Guardia.<\/div>\nPhoto: Manuel Guardia.<\/figure><\/a>\n<\/div>\nRetrato de Jos\u00e9 Larrea y Loredo (Portrait of Jos\u00e9 Larrea y Loredo), 1829-1830. Jos\u00e9 Gil de Castro. Oil on canvas. Collection Museo Nacional de Antropolog\u00eda, Arqueolog\u00eda e Historia del Per\u00fa (National Museum of Anthropology, Archaeology and History of Peru). Photo: Manuel Guardia.<\/div>\nRetrato de Jos\u00e9 Larrea y Loredo (Portrait of Jos\u00e9 Larrea y Loredo), 1829-1830. Jos\u00e9 Gil de Castro. Oil on canvas. Collection Museo Nacional de Antropolog\u00eda, Arqueolog\u00eda e Historia del Per\u00fa (National Museum of Anthropology, Archaeology and History of Peru). Photo: Manuel Guardia.<\/figure><\/a>\n<\/div>\nProcesi\u00f3n del Corpus Christi (Corpus Christi Procession), 1910. Te\u00f3filo Castillo. Oil on canvas, 145.5 x 106 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/div>\nProcesi\u00f3n del Corpus Christi (Corpus Christi Procession), 1910. Te\u00f3filo Castillo. Oil on canvas, 145.5 x 106 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nThroughout the nineteenth and twentieth centuries, the Ministry of Foreign Affairs made contribution to the protection and consolidation of the sovereignty of Peru and its borders, through the efforts for the international recognition of the independent country; the confirmation of the Peruvian identity of Tumbes, Ja\u00e9n and Maynas; the negotiation and fixing of borders; the resistance to the interference of the great powers of the nineteenth century; the return of Tacna; the defence of the 200 miles; the peace negotiations with Ecuador; and already in the 21st century, the decision of The Hague, among many other chapters.<\/p>\n\n\n\n<\/div>\nAlegor\u00eda de la Uni\u00f3n Americana (Allegory of the American Union), 1865. Mariano Florentino Olivares. Oil on canvas adhered to nordex, 51.5 x 40.5 cm. Lima Museum of Art. Donated by Jorge Roa.<\/div>\nAlegor\u00eda de la Uni\u00f3n Americana (Allegory of the American Union), 1865. Mariano Florentino Olivares. Oil on canvas adhered to nordex, 51.5 x 40.5 cm. Lima Museum of Art. Donated by Jorge Roa.<\/figure><\/a>\n<\/div>\nPhoto: Manuel Guardia.<\/div>\nPhoto: Manuel Guardia.<\/figure><\/a>\n<\/div>\n\u201cConcurso universal de proyectos para el monumento que se construir\u00e1 en memoria del combate del Callao\u201d (“Universal competition of projects for the monument to be built in memory of the Battle of Callao”). Models submitted to the international competition for the monument to the Combat of the Second of May, held in Paris. Engraving, 15.5 x 24.5 cm. Vladimir Vel\u00e1squez Collection.<\/div>\n\u201cConcurso universal de proyectos para el monumento que se construir\u00e1 en memoria del combate del Callao\u201d (“Universal competition of projects for the monument to be built in memory of the Battle of Callao”). Models submitted to the international competition for the monument to the Combat of the Second of May, held in Paris. Engraving, 15.5 x 24.5 cm. Vladimir Vel\u00e1squez Collection.<\/figure><\/a>\n<\/div>\nVenus india, circa (Indian Venus, circa) 1927. Ram\u00f3n Mateu. Modelled by the Valencian sculptor in Cuzco, it was cast in Spain and donated to Torre Tagle in 1931 by Chancellor Larco Herrera. Cast bronze 87 x 87 x 34 cm. Photo: D. Giannoni.<\/div>\nVenus india, circa (Indian Venus, circa) 1927. Ram\u00f3n Mateu. Modelled by the Valencian sculptor in Cuzco, it was cast in Spain and donated to Torre Tagle in 1931 by Chancellor Larco Herrera. Cast bronze 87 x 87 x 34 cm. Photo: D. Giannoni.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nIn this way, the Ministry of Foreign Affairs has helped to determine the contours of our nationality, and then to place Peru in the world as a peaceful and cooperative country, successively and simultaneously Americanist, Latin Americanist, Andean, and at the origin of integration schemes such as the Andean Community, the South American Community of Nations and the Pacific Alliance, as well as many regional initiatives for political concertation, crisis resolution and the defence of democracy.<\/p>\n\n\n\n<\/div>\n“House of the Viceroys”, also known as the palace of Torre Tagle. Photograph attributed to Villroy L. Richardson. Lima, 1863. Printed on albuminated paper. Vladimir Vel\u00e1squez Collection.<\/div>\n“House of the Viceroys”, also known as the palace of Torre Tagle. Photograph attributed to Villroy L. Richardson. Lima, 1863. Printed on albuminated paper. Vladimir Vel\u00e1squez Collection.<\/figure><\/a>\n<\/div>\nRemodelling of Torre Tagle, 1957. Photo: H. Acevedo \/ La Prensa. Vladimir Vel\u00e1squez Collection.<\/div>\nRemodelling of Torre Tagle, 1957. Photo: H. Acevedo \/ La Prensa. Vladimir Vel\u00e1squez Collection.<\/figure><\/a>\n<\/div>\nEntrance hall and main courtyard, when it still had the swimming pool. 1930s. Photos: M. Gonz\u00e1lez Salazar. Vladimir Vel\u00e1squez Collection.<\/div>\nEntrance hall and main courtyard, when it still had the swimming pool. 1930s. Photos: M. Gonz\u00e1lez Salazar. Vladimir Vel\u00e1squez Collection.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nDiplomatic history also shows Peru and its diplomats as protagonists of crucial multilateral efforts for the world, such as the human rights regime, sustainable development, the law of the sea and the fight against climate change.<\/p>\n\n\n\n<\/div>\nRa\u00fal Porras Barrenechea and V\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. MRE Central Archive.<\/div>\nRa\u00fal Porras Barrenechea and V\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. MRE Central Archive.<\/figure><\/a>\n<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. Central Archive of the MRE.<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. Central Archive of the MRE.<\/figure><\/a>\n<\/div>\nReading of the ruling of the International Court of Justice in The Hague on the maritime delimitation between Peru and Chile, 27 January 2014. Statements by the Agent of Peru, Ambassador Allan Wagner.<\/div>\nReading of the ruling of the International Court of Justice in The Hague on the maritime delimitation between Peru and Chile, 27 January 2014. Statements by the Agent of Peru, Ambassador Allan Wagner.<\/figure><\/a>\n<\/div>\nExtradition Treaty between Peru and Great Britain, signed in 1904. General Directorate of Treaties of the MRE. Photo: Manuel Guardia.<\/div>\nExtradition Treaty between Peru and Great Britain, signed in 1904. General Directorate of Treaties of the MRE. Photo: Manuel Guardia.<\/figure><\/a>\n<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nThe Ministry of Foreign Affairs has helped to forge a sense of the State in Peru. Peruvian society demands an increasingly inclusive Ministry of Foreign Affairs, attentive to gender equity, open to Peruvian cultural and linguistic diversity, so that it is a true instrument for the formation of a more prosperous, just, egalitarian, diverse, creative and democratic Peru.<\/p>\n\n\n\n<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/figure><\/a>\n<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/figure><\/a>\n<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\n","protected":false},"featured_media":2866,"menu_order":7,"template":"","tipo":[32,27],"class_list":["post-3262","actividades","type-actividades","status-publish","has-post-thumbnail","hentry","tipo-archive","tipo-exhibitions","entry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades\/3262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades"}],"about":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/types\/actividades"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media\/2866"}],"wp:attachment":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media?parent=3262"}],"wp:term":[{"taxonomy":"tipo","embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/tipo?post=3262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"https:\/\/www.ccincagarcilaso.gob.pe\/wp-content\/uploads\/2021\/07\/foto-cuadro-oleo-100-x-76-cm.jpg\"){kind=link}
![\n<\/div>\nMariana Echevarr\u00eda de Santiago y Ulloa, fourth Marquise of Torre Tagle. 1822. Jos\u00e9 Gil de Castro. Oil on canvas, 203 x 128 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/div>\nMariana Echevarr\u00eda de Santiago y Ulloa, fourth Marquise of Torre Tagle. 1822. Jos\u00e9 Gil de Castro. Oil on canvas, 203 x 128 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/figure><\/a>\n<\/div>\nJos\u00e9 Bernardo de Tagle y Portocarrero, fourth Marquis of Torre Tagle. 1828. Jos\u00e9 Gil de Castro. Oil on canvas, 208 x 128 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/div>\nJos\u00e9 Bernardo de Tagle y Portocarrero, fourth Marquis of Torre Tagle. 1828. Jos\u00e9 Gil de Castro. Oil on canvas, 208 x 128 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/figure><\/a>\n<\/div>\nPhoto: Manuel Guardia.<\/div>\nPhoto: Manuel Guardia.<\/figure><\/a>\n<\/div>\nRetrato de Jos\u00e9 Larrea y Loredo (Portrait of Jos\u00e9 Larrea y Loredo), 1829-1830. Jos\u00e9 Gil de Castro. Oil on canvas. Collection Museo Nacional de Antropolog\u00eda, Arqueolog\u00eda e Historia del Per\u00fa (National Museum of Anthropology, Archaeology and History of Peru). Photo: Manuel Guardia.<\/div>\nRetrato de Jos\u00e9 Larrea y Loredo (Portrait of Jos\u00e9 Larrea y Loredo), 1829-1830. Jos\u00e9 Gil de Castro. Oil on canvas. Collection Museo Nacional de Antropolog\u00eda, Arqueolog\u00eda e Historia del Per\u00fa (National Museum of Anthropology, Archaeology and History of Peru). Photo: Manuel Guardia.<\/figure><\/a>\n<\/div>\nProcesi\u00f3n del Corpus Christi (Corpus Christi Procession), 1910. Te\u00f3filo Castillo. Oil on canvas, 145.5 x 106 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/div>\nProcesi\u00f3n del Corpus Christi (Corpus Christi Procession), 1910. Te\u00f3filo Castillo. Oil on canvas, 145.5 x 106 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nThroughout the nineteenth and twentieth centuries, the Ministry of Foreign Affairs made contribution to the protection and consolidation of the sovereignty of Peru and its borders, through the efforts for the international recognition of the independent country; the confirmation of the Peruvian identity of Tumbes, Ja\u00e9n and Maynas; the negotiation and fixing of borders; the resistance to the interference of the great powers of the nineteenth century; the return of Tacna; the defence of the 200 miles; the peace negotiations with Ecuador; and already in the 21st century, the decision of The Hague, among many other chapters.<\/p>\n\n\n\n<\/div>\nAlegor\u00eda de la Uni\u00f3n Americana (Allegory of the American Union), 1865. Mariano Florentino Olivares. Oil on canvas adhered to nordex, 51.5 x 40.5 cm. Lima Museum of Art. Donated by Jorge Roa.<\/div>\nAlegor\u00eda de la Uni\u00f3n Americana (Allegory of the American Union), 1865. Mariano Florentino Olivares. Oil on canvas adhered to nordex, 51.5 x 40.5 cm. Lima Museum of Art. Donated by Jorge Roa.<\/figure><\/a>\n<\/div>\nPhoto: Manuel Guardia.<\/div>\nPhoto: Manuel Guardia.<\/figure><\/a>\n<\/div>\n\u201cConcurso universal de proyectos para el monumento que se construir\u00e1 en memoria del combate del Callao\u201d (“Universal competition of projects for the monument to be built in memory of the Battle of Callao”). Models submitted to the international competition for the monument to the Combat of the Second of May, held in Paris. Engraving, 15.5 x 24.5 cm. Vladimir Vel\u00e1squez Collection.<\/div>\n\u201cConcurso universal de proyectos para el monumento que se construir\u00e1 en memoria del combate del Callao\u201d (“Universal competition of projects for the monument to be built in memory of the Battle of Callao”). Models submitted to the international competition for the monument to the Combat of the Second of May, held in Paris. Engraving, 15.5 x 24.5 cm. Vladimir Vel\u00e1squez Collection.<\/figure><\/a>\n<\/div>\nVenus india, circa (Indian Venus, circa) 1927. Ram\u00f3n Mateu. Modelled by the Valencian sculptor in Cuzco, it was cast in Spain and donated to Torre Tagle in 1931 by Chancellor Larco Herrera. Cast bronze 87 x 87 x 34 cm. Photo: D. Giannoni.<\/div>\nVenus india, circa (Indian Venus, circa) 1927. Ram\u00f3n Mateu. Modelled by the Valencian sculptor in Cuzco, it was cast in Spain and donated to Torre Tagle in 1931 by Chancellor Larco Herrera. Cast bronze 87 x 87 x 34 cm. Photo: D. Giannoni.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nIn this way, the Ministry of Foreign Affairs has helped to determine the contours of our nationality, and then to place Peru in the world as a peaceful and cooperative country, successively and simultaneously Americanist, Latin Americanist, Andean, and at the origin of integration schemes such as the Andean Community, the South American Community of Nations and the Pacific Alliance, as well as many regional initiatives for political concertation, crisis resolution and the defence of democracy.<\/p>\n\n\n\n<\/div>\n“House of the Viceroys”, also known as the palace of Torre Tagle. Photograph attributed to Villroy L. Richardson. Lima, 1863. Printed on albuminated paper. Vladimir Vel\u00e1squez Collection.<\/div>\n“House of the Viceroys”, also known as the palace of Torre Tagle. Photograph attributed to Villroy L. Richardson. Lima, 1863. Printed on albuminated paper. Vladimir Vel\u00e1squez Collection.<\/figure><\/a>\n<\/div>\nRemodelling of Torre Tagle, 1957. Photo: H. Acevedo \/ La Prensa. Vladimir Vel\u00e1squez Collection.<\/div>\nRemodelling of Torre Tagle, 1957. Photo: H. Acevedo \/ La Prensa. Vladimir Vel\u00e1squez Collection.<\/figure><\/a>\n<\/div>\nEntrance hall and main courtyard, when it still had the swimming pool. 1930s. Photos: M. Gonz\u00e1lez Salazar. Vladimir Vel\u00e1squez Collection.<\/div>\nEntrance hall and main courtyard, when it still had the swimming pool. 1930s. Photos: M. Gonz\u00e1lez Salazar. Vladimir Vel\u00e1squez Collection.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nDiplomatic history also shows Peru and its diplomats as protagonists of crucial multilateral efforts for the world, such as the human rights regime, sustainable development, the law of the sea and the fight against climate change.<\/p>\n\n\n\n<\/div>\nRa\u00fal Porras Barrenechea and V\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. MRE Central Archive.<\/div>\nRa\u00fal Porras Barrenechea and V\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. MRE Central Archive.<\/figure><\/a>\n<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. Central Archive of the MRE.<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. Central Archive of the MRE.<\/figure><\/a>\n<\/div>\nReading of the ruling of the International Court of Justice in The Hague on the maritime delimitation between Peru and Chile, 27 January 2014. Statements by the Agent of Peru, Ambassador Allan Wagner.<\/div>\nReading of the ruling of the International Court of Justice in The Hague on the maritime delimitation between Peru and Chile, 27 January 2014. Statements by the Agent of Peru, Ambassador Allan Wagner.<\/figure><\/a>\n<\/div>\nExtradition Treaty between Peru and Great Britain, signed in 1904. General Directorate of Treaties of the MRE. Photo: Manuel Guardia.<\/div>\nExtradition Treaty between Peru and Great Britain, signed in 1904. General Directorate of Treaties of the MRE. Photo: Manuel Guardia.<\/figure><\/a>\n<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nThe Ministry of Foreign Affairs has helped to forge a sense of the State in Peru. Peruvian society demands an increasingly inclusive Ministry of Foreign Affairs, attentive to gender equity, open to Peruvian cultural and linguistic diversity, so that it is a true instrument for the formation of a more prosperous, just, egalitarian, diverse, creative and democratic Peru.<\/p>\n\n\n\n<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/figure><\/a>\n<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/figure><\/a>\n<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\n","protected":false},"featured_media":2866,"menu_order":7,"template":"","tipo":[32,27],"class_list":["post-3262","actividades","type-actividades","status-publish","has-post-thumbnail","hentry","tipo-archive","tipo-exhibitions","entry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades\/3262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades"}],"about":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/types\/actividades"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media\/2866"}],"wp:attachment":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media?parent=3262"}],"wp:term":[{"taxonomy":"tipo","embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/tipo?post=3262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"https:\/\/www.ccincagarcilaso.gob.pe\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-27-at-1.15.05-PM.png\"){kind=link}
![\n<\/div>\nJos\u00e9 Bernardo de Tagle y Portocarrero, fourth Marquis of Torre Tagle. 1828. Jos\u00e9 Gil de Castro. Oil on canvas, 208 x 128 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/div>\nJos\u00e9 Bernardo de Tagle y Portocarrero, fourth Marquis of Torre Tagle. 1828. Jos\u00e9 Gil de Castro. Oil on canvas, 208 x 128 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/figure><\/a>\n<\/div>\nPhoto: Manuel Guardia.<\/div>\nPhoto: Manuel Guardia.<\/figure><\/a>\n<\/div>\nRetrato de Jos\u00e9 Larrea y Loredo (Portrait of Jos\u00e9 Larrea y Loredo), 1829-1830. Jos\u00e9 Gil de Castro. Oil on canvas. Collection Museo Nacional de Antropolog\u00eda, Arqueolog\u00eda e Historia del Per\u00fa (National Museum of Anthropology, Archaeology and History of Peru). Photo: Manuel Guardia.<\/div>\nRetrato de Jos\u00e9 Larrea y Loredo (Portrait of Jos\u00e9 Larrea y Loredo), 1829-1830. Jos\u00e9 Gil de Castro. Oil on canvas. Collection Museo Nacional de Antropolog\u00eda, Arqueolog\u00eda e Historia del Per\u00fa (National Museum of Anthropology, Archaeology and History of Peru). Photo: Manuel Guardia.<\/figure><\/a>\n<\/div>\nProcesi\u00f3n del Corpus Christi (Corpus Christi Procession), 1910. Te\u00f3filo Castillo. Oil on canvas, 145.5 x 106 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/div>\nProcesi\u00f3n del Corpus Christi (Corpus Christi Procession), 1910. Te\u00f3filo Castillo. Oil on canvas, 145.5 x 106 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nThroughout the nineteenth and twentieth centuries, the Ministry of Foreign Affairs made contribution to the protection and consolidation of the sovereignty of Peru and its borders, through the efforts for the international recognition of the independent country; the confirmation of the Peruvian identity of Tumbes, Ja\u00e9n and Maynas; the negotiation and fixing of borders; the resistance to the interference of the great powers of the nineteenth century; the return of Tacna; the defence of the 200 miles; the peace negotiations with Ecuador; and already in the 21st century, the decision of The Hague, among many other chapters.<\/p>\n\n\n\n<\/div>\nAlegor\u00eda de la Uni\u00f3n Americana (Allegory of the American Union), 1865. Mariano Florentino Olivares. Oil on canvas adhered to nordex, 51.5 x 40.5 cm. Lima Museum of Art. Donated by Jorge Roa.<\/div>\nAlegor\u00eda de la Uni\u00f3n Americana (Allegory of the American Union), 1865. Mariano Florentino Olivares. Oil on canvas adhered to nordex, 51.5 x 40.5 cm. Lima Museum of Art. Donated by Jorge Roa.<\/figure><\/a>\n<\/div>\nPhoto: Manuel Guardia.<\/div>\nPhoto: Manuel Guardia.<\/figure><\/a>\n<\/div>\n\u201cConcurso universal de proyectos para el monumento que se construir\u00e1 en memoria del combate del Callao\u201d (“Universal competition of projects for the monument to be built in memory of the Battle of Callao”). Models submitted to the international competition for the monument to the Combat of the Second of May, held in Paris. Engraving, 15.5 x 24.5 cm. Vladimir Vel\u00e1squez Collection.<\/div>\n\u201cConcurso universal de proyectos para el monumento que se construir\u00e1 en memoria del combate del Callao\u201d (“Universal competition of projects for the monument to be built in memory of the Battle of Callao”). Models submitted to the international competition for the monument to the Combat of the Second of May, held in Paris. Engraving, 15.5 x 24.5 cm. Vladimir Vel\u00e1squez Collection.<\/figure><\/a>\n<\/div>\nVenus india, circa (Indian Venus, circa) 1927. Ram\u00f3n Mateu. Modelled by the Valencian sculptor in Cuzco, it was cast in Spain and donated to Torre Tagle in 1931 by Chancellor Larco Herrera. Cast bronze 87 x 87 x 34 cm. Photo: D. Giannoni.<\/div>\nVenus india, circa (Indian Venus, circa) 1927. Ram\u00f3n Mateu. Modelled by the Valencian sculptor in Cuzco, it was cast in Spain and donated to Torre Tagle in 1931 by Chancellor Larco Herrera. Cast bronze 87 x 87 x 34 cm. Photo: D. Giannoni.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nIn this way, the Ministry of Foreign Affairs has helped to determine the contours of our nationality, and then to place Peru in the world as a peaceful and cooperative country, successively and simultaneously Americanist, Latin Americanist, Andean, and at the origin of integration schemes such as the Andean Community, the South American Community of Nations and the Pacific Alliance, as well as many regional initiatives for political concertation, crisis resolution and the defence of democracy.<\/p>\n\n\n\n<\/div>\n“House of the Viceroys”, also known as the palace of Torre Tagle. Photograph attributed to Villroy L. Richardson. Lima, 1863. Printed on albuminated paper. Vladimir Vel\u00e1squez Collection.<\/div>\n“House of the Viceroys”, also known as the palace of Torre Tagle. Photograph attributed to Villroy L. Richardson. Lima, 1863. Printed on albuminated paper. Vladimir Vel\u00e1squez Collection.<\/figure><\/a>\n<\/div>\nRemodelling of Torre Tagle, 1957. Photo: H. Acevedo \/ La Prensa. Vladimir Vel\u00e1squez Collection.<\/div>\nRemodelling of Torre Tagle, 1957. Photo: H. Acevedo \/ La Prensa. Vladimir Vel\u00e1squez Collection.<\/figure><\/a>\n<\/div>\nEntrance hall and main courtyard, when it still had the swimming pool. 1930s. Photos: M. Gonz\u00e1lez Salazar. Vladimir Vel\u00e1squez Collection.<\/div>\nEntrance hall and main courtyard, when it still had the swimming pool. 1930s. Photos: M. Gonz\u00e1lez Salazar. Vladimir Vel\u00e1squez Collection.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nDiplomatic history also shows Peru and its diplomats as protagonists of crucial multilateral efforts for the world, such as the human rights regime, sustainable development, the law of the sea and the fight against climate change.<\/p>\n\n\n\n<\/div>\nRa\u00fal Porras Barrenechea and V\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. MRE Central Archive.<\/div>\nRa\u00fal Porras Barrenechea and V\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. MRE Central Archive.<\/figure><\/a>\n<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. Central Archive of the MRE.<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. Central Archive of the MRE.<\/figure><\/a>\n<\/div>\nReading of the ruling of the International Court of Justice in The Hague on the maritime delimitation between Peru and Chile, 27 January 2014. Statements by the Agent of Peru, Ambassador Allan Wagner.<\/div>\nReading of the ruling of the International Court of Justice in The Hague on the maritime delimitation between Peru and Chile, 27 January 2014. Statements by the Agent of Peru, Ambassador Allan Wagner.<\/figure><\/a>\n<\/div>\nExtradition Treaty between Peru and Great Britain, signed in 1904. General Directorate of Treaties of the MRE. Photo: Manuel Guardia.<\/div>\nExtradition Treaty between Peru and Great Britain, signed in 1904. General Directorate of Treaties of the MRE. Photo: Manuel Guardia.<\/figure><\/a>\n<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nThe Ministry of Foreign Affairs has helped to forge a sense of the State in Peru. Peruvian society demands an increasingly inclusive Ministry of Foreign Affairs, attentive to gender equity, open to Peruvian cultural and linguistic diversity, so that it is a true instrument for the formation of a more prosperous, just, egalitarian, diverse, creative and democratic Peru.<\/p>\n\n\n\n<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/figure><\/a>\n<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/figure><\/a>\n<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\n","protected":false},"featured_media":2866,"menu_order":7,"template":"","tipo":[32,27],"class_list":["post-3262","actividades","type-actividades","status-publish","has-post-thumbnail","hentry","tipo-archive","tipo-exhibitions","entry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades\/3262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades"}],"about":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/types\/actividades"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media\/2866"}],"wp:attachment":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media?parent=3262"}],"wp:term":[{"taxonomy":"tipo","embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/tipo?post=3262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"https:\/\/www.ccincagarcilaso.gob.pe\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-27-at-1.16.47-PM.png\"){kind=link}
![\n<\/div>\nPhoto: Manuel Guardia.<\/div>\nPhoto: Manuel Guardia.<\/figure><\/a>\n<\/div>\nRetrato de Jos\u00e9 Larrea y Loredo (Portrait of Jos\u00e9 Larrea y Loredo), 1829-1830. Jos\u00e9 Gil de Castro. Oil on canvas. Collection Museo Nacional de Antropolog\u00eda, Arqueolog\u00eda e Historia del Per\u00fa (National Museum of Anthropology, Archaeology and History of Peru). Photo: Manuel Guardia.<\/div>\nRetrato de Jos\u00e9 Larrea y Loredo (Portrait of Jos\u00e9 Larrea y Loredo), 1829-1830. Jos\u00e9 Gil de Castro. Oil on canvas. Collection Museo Nacional de Antropolog\u00eda, Arqueolog\u00eda e Historia del Per\u00fa (National Museum of Anthropology, Archaeology and History of Peru). Photo: Manuel Guardia.<\/figure><\/a>\n<\/div>\nProcesi\u00f3n del Corpus Christi (Corpus Christi Procession), 1910. Te\u00f3filo Castillo. Oil on canvas, 145.5 x 106 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/div>\nProcesi\u00f3n del Corpus Christi (Corpus Christi Procession), 1910. Te\u00f3filo Castillo. Oil on canvas, 145.5 x 106 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nThroughout the nineteenth and twentieth centuries, the Ministry of Foreign Affairs made contribution to the protection and consolidation of the sovereignty of Peru and its borders, through the efforts for the international recognition of the independent country; the confirmation of the Peruvian identity of Tumbes, Ja\u00e9n and Maynas; the negotiation and fixing of borders; the resistance to the interference of the great powers of the nineteenth century; the return of Tacna; the defence of the 200 miles; the peace negotiations with Ecuador; and already in the 21st century, the decision of The Hague, among many other chapters.<\/p>\n\n\n\n<\/div>\nAlegor\u00eda de la Uni\u00f3n Americana (Allegory of the American Union), 1865. Mariano Florentino Olivares. Oil on canvas adhered to nordex, 51.5 x 40.5 cm. Lima Museum of Art. Donated by Jorge Roa.<\/div>\nAlegor\u00eda de la Uni\u00f3n Americana (Allegory of the American Union), 1865. Mariano Florentino Olivares. Oil on canvas adhered to nordex, 51.5 x 40.5 cm. Lima Museum of Art. Donated by Jorge Roa.<\/figure><\/a>\n<\/div>\nPhoto: Manuel Guardia.<\/div>\nPhoto: Manuel Guardia.<\/figure><\/a>\n<\/div>\n\u201cConcurso universal de proyectos para el monumento que se construir\u00e1 en memoria del combate del Callao\u201d (“Universal competition of projects for the monument to be built in memory of the Battle of Callao”). Models submitted to the international competition for the monument to the Combat of the Second of May, held in Paris. Engraving, 15.5 x 24.5 cm. Vladimir Vel\u00e1squez Collection.<\/div>\n\u201cConcurso universal de proyectos para el monumento que se construir\u00e1 en memoria del combate del Callao\u201d (“Universal competition of projects for the monument to be built in memory of the Battle of Callao”). Models submitted to the international competition for the monument to the Combat of the Second of May, held in Paris. Engraving, 15.5 x 24.5 cm. Vladimir Vel\u00e1squez Collection.<\/figure><\/a>\n<\/div>\nVenus india, circa (Indian Venus, circa) 1927. Ram\u00f3n Mateu. Modelled by the Valencian sculptor in Cuzco, it was cast in Spain and donated to Torre Tagle in 1931 by Chancellor Larco Herrera. Cast bronze 87 x 87 x 34 cm. Photo: D. Giannoni.<\/div>\nVenus india, circa (Indian Venus, circa) 1927. Ram\u00f3n Mateu. Modelled by the Valencian sculptor in Cuzco, it was cast in Spain and donated to Torre Tagle in 1931 by Chancellor Larco Herrera. Cast bronze 87 x 87 x 34 cm. Photo: D. Giannoni.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nIn this way, the Ministry of Foreign Affairs has helped to determine the contours of our nationality, and then to place Peru in the world as a peaceful and cooperative country, successively and simultaneously Americanist, Latin Americanist, Andean, and at the origin of integration schemes such as the Andean Community, the South American Community of Nations and the Pacific Alliance, as well as many regional initiatives for political concertation, crisis resolution and the defence of democracy.<\/p>\n\n\n\n<\/div>\n“House of the Viceroys”, also known as the palace of Torre Tagle. Photograph attributed to Villroy L. Richardson. Lima, 1863. Printed on albuminated paper. Vladimir Vel\u00e1squez Collection.<\/div>\n“House of the Viceroys”, also known as the palace of Torre Tagle. Photograph attributed to Villroy L. Richardson. Lima, 1863. Printed on albuminated paper. Vladimir Vel\u00e1squez Collection.<\/figure><\/a>\n<\/div>\nRemodelling of Torre Tagle, 1957. Photo: H. Acevedo \/ La Prensa. Vladimir Vel\u00e1squez Collection.<\/div>\nRemodelling of Torre Tagle, 1957. Photo: H. Acevedo \/ La Prensa. Vladimir Vel\u00e1squez Collection.<\/figure><\/a>\n<\/div>\nEntrance hall and main courtyard, when it still had the swimming pool. 1930s. Photos: M. Gonz\u00e1lez Salazar. Vladimir Vel\u00e1squez Collection.<\/div>\nEntrance hall and main courtyard, when it still had the swimming pool. 1930s. Photos: M. Gonz\u00e1lez Salazar. Vladimir Vel\u00e1squez Collection.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nDiplomatic history also shows Peru and its diplomats as protagonists of crucial multilateral efforts for the world, such as the human rights regime, sustainable development, the law of the sea and the fight against climate change.<\/p>\n\n\n\n<\/div>\nRa\u00fal Porras Barrenechea and V\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. MRE Central Archive.<\/div>\nRa\u00fal Porras Barrenechea and V\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. MRE Central Archive.<\/figure><\/a>\n<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. Central Archive of the MRE.<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. Central Archive of the MRE.<\/figure><\/a>\n<\/div>\nReading of the ruling of the International Court of Justice in The Hague on the maritime delimitation between Peru and Chile, 27 January 2014. Statements by the Agent of Peru, Ambassador Allan Wagner.<\/div>\nReading of the ruling of the International Court of Justice in The Hague on the maritime delimitation between Peru and Chile, 27 January 2014. Statements by the Agent of Peru, Ambassador Allan Wagner.<\/figure><\/a>\n<\/div>\nExtradition Treaty between Peru and Great Britain, signed in 1904. General Directorate of Treaties of the MRE. Photo: Manuel Guardia.<\/div>\nExtradition Treaty between Peru and Great Britain, signed in 1904. General Directorate of Treaties of the MRE. Photo: Manuel Guardia.<\/figure><\/a>\n<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nThe Ministry of Foreign Affairs has helped to forge a sense of the State in Peru. Peruvian society demands an increasingly inclusive Ministry of Foreign Affairs, attentive to gender equity, open to Peruvian cultural and linguistic diversity, so that it is a true instrument for the formation of a more prosperous, just, egalitarian, diverse, creative and democratic Peru.<\/p>\n\n\n\n<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/figure><\/a>\n<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/figure><\/a>\n<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\n","protected":false},"featured_media":2866,"menu_order":7,"template":"","tipo":[32,27],"class_list":["post-3262","actividades","type-actividades","status-publish","has-post-thumbnail","hentry","tipo-archive","tipo-exhibitions","entry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades\/3262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades"}],"about":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/types\/actividades"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media\/2866"}],"wp:attachment":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media?parent=3262"}],"wp:term":[{"taxonomy":"tipo","embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/tipo?post=3262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"https:\/\/www.ccincagarcilaso.gob.pe\/wp-content\/uploads\/2021\/07\/sala-negra.jpg\"){kind=link}
![\n<\/div>\nRetrato de Jos\u00e9 Larrea y Loredo (Portrait of Jos\u00e9 Larrea y Loredo), 1829-1830. Jos\u00e9 Gil de Castro. Oil on canvas. Collection Museo Nacional de Antropolog\u00eda, Arqueolog\u00eda e Historia del Per\u00fa (National Museum of Anthropology, Archaeology and History of Peru). Photo: Manuel Guardia.<\/div>\nRetrato de Jos\u00e9 Larrea y Loredo (Portrait of Jos\u00e9 Larrea y Loredo), 1829-1830. Jos\u00e9 Gil de Castro. Oil on canvas. Collection Museo Nacional de Antropolog\u00eda, Arqueolog\u00eda e Historia del Per\u00fa (National Museum of Anthropology, Archaeology and History of Peru). Photo: Manuel Guardia.<\/figure><\/a>\n<\/div>\nProcesi\u00f3n del Corpus Christi (Corpus Christi Procession), 1910. Te\u00f3filo Castillo. Oil on canvas, 145.5 x 106 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/div>\nProcesi\u00f3n del Corpus Christi (Corpus Christi Procession), 1910. Te\u00f3filo Castillo. Oil on canvas, 145.5 x 106 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nThroughout the nineteenth and twentieth centuries, the Ministry of Foreign Affairs made contribution to the protection and consolidation of the sovereignty of Peru and its borders, through the efforts for the international recognition of the independent country; the confirmation of the Peruvian identity of Tumbes, Ja\u00e9n and Maynas; the negotiation and fixing of borders; the resistance to the interference of the great powers of the nineteenth century; the return of Tacna; the defence of the 200 miles; the peace negotiations with Ecuador; and already in the 21st century, the decision of The Hague, among many other chapters.<\/p>\n\n\n\n<\/div>\nAlegor\u00eda de la Uni\u00f3n Americana (Allegory of the American Union), 1865. Mariano Florentino Olivares. Oil on canvas adhered to nordex, 51.5 x 40.5 cm. Lima Museum of Art. Donated by Jorge Roa.<\/div>\nAlegor\u00eda de la Uni\u00f3n Americana (Allegory of the American Union), 1865. Mariano Florentino Olivares. Oil on canvas adhered to nordex, 51.5 x 40.5 cm. Lima Museum of Art. Donated by Jorge Roa.<\/figure><\/a>\n<\/div>\nPhoto: Manuel Guardia.<\/div>\nPhoto: Manuel Guardia.<\/figure><\/a>\n<\/div>\n\u201cConcurso universal de proyectos para el monumento que se construir\u00e1 en memoria del combate del Callao\u201d (“Universal competition of projects for the monument to be built in memory of the Battle of Callao”). Models submitted to the international competition for the monument to the Combat of the Second of May, held in Paris. Engraving, 15.5 x 24.5 cm. Vladimir Vel\u00e1squez Collection.<\/div>\n\u201cConcurso universal de proyectos para el monumento que se construir\u00e1 en memoria del combate del Callao\u201d (“Universal competition of projects for the monument to be built in memory of the Battle of Callao”). Models submitted to the international competition for the monument to the Combat of the Second of May, held in Paris. Engraving, 15.5 x 24.5 cm. Vladimir Vel\u00e1squez Collection.<\/figure><\/a>\n<\/div>\nVenus india, circa (Indian Venus, circa) 1927. Ram\u00f3n Mateu. Modelled by the Valencian sculptor in Cuzco, it was cast in Spain and donated to Torre Tagle in 1931 by Chancellor Larco Herrera. Cast bronze 87 x 87 x 34 cm. Photo: D. Giannoni.<\/div>\nVenus india, circa (Indian Venus, circa) 1927. Ram\u00f3n Mateu. Modelled by the Valencian sculptor in Cuzco, it was cast in Spain and donated to Torre Tagle in 1931 by Chancellor Larco Herrera. Cast bronze 87 x 87 x 34 cm. Photo: D. Giannoni.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nIn this way, the Ministry of Foreign Affairs has helped to determine the contours of our nationality, and then to place Peru in the world as a peaceful and cooperative country, successively and simultaneously Americanist, Latin Americanist, Andean, and at the origin of integration schemes such as the Andean Community, the South American Community of Nations and the Pacific Alliance, as well as many regional initiatives for political concertation, crisis resolution and the defence of democracy.<\/p>\n\n\n\n<\/div>\n“House of the Viceroys”, also known as the palace of Torre Tagle. Photograph attributed to Villroy L. Richardson. Lima, 1863. Printed on albuminated paper. Vladimir Vel\u00e1squez Collection.<\/div>\n“House of the Viceroys”, also known as the palace of Torre Tagle. Photograph attributed to Villroy L. Richardson. Lima, 1863. Printed on albuminated paper. Vladimir Vel\u00e1squez Collection.<\/figure><\/a>\n<\/div>\nRemodelling of Torre Tagle, 1957. Photo: H. Acevedo \/ La Prensa. Vladimir Vel\u00e1squez Collection.<\/div>\nRemodelling of Torre Tagle, 1957. Photo: H. Acevedo \/ La Prensa. Vladimir Vel\u00e1squez Collection.<\/figure><\/a>\n<\/div>\nEntrance hall and main courtyard, when it still had the swimming pool. 1930s. Photos: M. Gonz\u00e1lez Salazar. Vladimir Vel\u00e1squez Collection.<\/div>\nEntrance hall and main courtyard, when it still had the swimming pool. 1930s. Photos: M. Gonz\u00e1lez Salazar. Vladimir Vel\u00e1squez Collection.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nDiplomatic history also shows Peru and its diplomats as protagonists of crucial multilateral efforts for the world, such as the human rights regime, sustainable development, the law of the sea and the fight against climate change.<\/p>\n\n\n\n<\/div>\nRa\u00fal Porras Barrenechea and V\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. MRE Central Archive.<\/div>\nRa\u00fal Porras Barrenechea and V\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. MRE Central Archive.<\/figure><\/a>\n<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. Central Archive of the MRE.<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. Central Archive of the MRE.<\/figure><\/a>\n<\/div>\nReading of the ruling of the International Court of Justice in The Hague on the maritime delimitation between Peru and Chile, 27 January 2014. Statements by the Agent of Peru, Ambassador Allan Wagner.<\/div>\nReading of the ruling of the International Court of Justice in The Hague on the maritime delimitation between Peru and Chile, 27 January 2014. Statements by the Agent of Peru, Ambassador Allan Wagner.<\/figure><\/a>\n<\/div>\nExtradition Treaty between Peru and Great Britain, signed in 1904. General Directorate of Treaties of the MRE. Photo: Manuel Guardia.<\/div>\nExtradition Treaty between Peru and Great Britain, signed in 1904. General Directorate of Treaties of the MRE. Photo: Manuel Guardia.<\/figure><\/a>\n<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nThe Ministry of Foreign Affairs has helped to forge a sense of the State in Peru. Peruvian society demands an increasingly inclusive Ministry of Foreign Affairs, attentive to gender equity, open to Peruvian cultural and linguistic diversity, so that it is a true instrument for the formation of a more prosperous, just, egalitarian, diverse, creative and democratic Peru.<\/p>\n\n\n\n<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/figure><\/a>\n<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/figure><\/a>\n<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\n","protected":false},"featured_media":2866,"menu_order":7,"template":"","tipo":[32,27],"class_list":["post-3262","actividades","type-actividades","status-publish","has-post-thumbnail","hentry","tipo-archive","tipo-exhibitions","entry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades\/3262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades"}],"about":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/types\/actividades"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media\/2866"}],"wp:attachment":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media?parent=3262"}],"wp:term":[{"taxonomy":"tipo","embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/tipo?post=3262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"https:\/\/www.ccincagarcilaso.gob.pe\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-27-at-1.15.46-PM.png\"){kind=link}
![\n<\/div>\nProcesi\u00f3n del Corpus Christi (Corpus Christi Procession), 1910. Te\u00f3filo Castillo. Oil on canvas, 145.5 x 106 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/div>\nProcesi\u00f3n del Corpus Christi (Corpus Christi Procession), 1910. Te\u00f3filo Castillo. Oil on canvas, 145.5 x 106 cm. Torre Tagle Collection. Photo: D. Giannoni.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nThroughout the nineteenth and twentieth centuries, the Ministry of Foreign Affairs made contribution to the protection and consolidation of the sovereignty of Peru and its borders, through the efforts for the international recognition of the independent country; the confirmation of the Peruvian identity of Tumbes, Ja\u00e9n and Maynas; the negotiation and fixing of borders; the resistance to the interference of the great powers of the nineteenth century; the return of Tacna; the defence of the 200 miles; the peace negotiations with Ecuador; and already in the 21st century, the decision of The Hague, among many other chapters.<\/p>\n\n\n\n<\/div>\nAlegor\u00eda de la Uni\u00f3n Americana (Allegory of the American Union), 1865. Mariano Florentino Olivares. Oil on canvas adhered to nordex, 51.5 x 40.5 cm. Lima Museum of Art. Donated by Jorge Roa.<\/div>\nAlegor\u00eda de la Uni\u00f3n Americana (Allegory of the American Union), 1865. Mariano Florentino Olivares. Oil on canvas adhered to nordex, 51.5 x 40.5 cm. Lima Museum of Art. Donated by Jorge Roa.<\/figure><\/a>\n<\/div>\nPhoto: Manuel Guardia.<\/div>\nPhoto: Manuel Guardia.<\/figure><\/a>\n<\/div>\n\u201cConcurso universal de proyectos para el monumento que se construir\u00e1 en memoria del combate del Callao\u201d (“Universal competition of projects for the monument to be built in memory of the Battle of Callao”). Models submitted to the international competition for the monument to the Combat of the Second of May, held in Paris. Engraving, 15.5 x 24.5 cm. Vladimir Vel\u00e1squez Collection.<\/div>\n\u201cConcurso universal de proyectos para el monumento que se construir\u00e1 en memoria del combate del Callao\u201d (“Universal competition of projects for the monument to be built in memory of the Battle of Callao”). Models submitted to the international competition for the monument to the Combat of the Second of May, held in Paris. Engraving, 15.5 x 24.5 cm. Vladimir Vel\u00e1squez Collection.<\/figure><\/a>\n<\/div>\nVenus india, circa (Indian Venus, circa) 1927. Ram\u00f3n Mateu. Modelled by the Valencian sculptor in Cuzco, it was cast in Spain and donated to Torre Tagle in 1931 by Chancellor Larco Herrera. Cast bronze 87 x 87 x 34 cm. Photo: D. Giannoni.<\/div>\nVenus india, circa (Indian Venus, circa) 1927. Ram\u00f3n Mateu. Modelled by the Valencian sculptor in Cuzco, it was cast in Spain and donated to Torre Tagle in 1931 by Chancellor Larco Herrera. Cast bronze 87 x 87 x 34 cm. Photo: D. Giannoni.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nIn this way, the Ministry of Foreign Affairs has helped to determine the contours of our nationality, and then to place Peru in the world as a peaceful and cooperative country, successively and simultaneously Americanist, Latin Americanist, Andean, and at the origin of integration schemes such as the Andean Community, the South American Community of Nations and the Pacific Alliance, as well as many regional initiatives for political concertation, crisis resolution and the defence of democracy.<\/p>\n\n\n\n<\/div>\n“House of the Viceroys”, also known as the palace of Torre Tagle. Photograph attributed to Villroy L. Richardson. Lima, 1863. Printed on albuminated paper. Vladimir Vel\u00e1squez Collection.<\/div>\n“House of the Viceroys”, also known as the palace of Torre Tagle. Photograph attributed to Villroy L. Richardson. Lima, 1863. Printed on albuminated paper. Vladimir Vel\u00e1squez Collection.<\/figure><\/a>\n<\/div>\nRemodelling of Torre Tagle, 1957. Photo: H. Acevedo \/ La Prensa. Vladimir Vel\u00e1squez Collection.<\/div>\nRemodelling of Torre Tagle, 1957. Photo: H. Acevedo \/ La Prensa. Vladimir Vel\u00e1squez Collection.<\/figure><\/a>\n<\/div>\nEntrance hall and main courtyard, when it still had the swimming pool. 1930s. Photos: M. Gonz\u00e1lez Salazar. Vladimir Vel\u00e1squez Collection.<\/div>\nEntrance hall and main courtyard, when it still had the swimming pool. 1930s. Photos: M. Gonz\u00e1lez Salazar. Vladimir Vel\u00e1squez Collection.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nDiplomatic history also shows Peru and its diplomats as protagonists of crucial multilateral efforts for the world, such as the human rights regime, sustainable development, the law of the sea and the fight against climate change.<\/p>\n\n\n\n<\/div>\nRa\u00fal Porras Barrenechea and V\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. MRE Central Archive.<\/div>\nRa\u00fal Porras Barrenechea and V\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. MRE Central Archive.<\/figure><\/a>\n<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. Central Archive of the MRE.<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. Central Archive of the MRE.<\/figure><\/a>\n<\/div>\nReading of the ruling of the International Court of Justice in The Hague on the maritime delimitation between Peru and Chile, 27 January 2014. Statements by the Agent of Peru, Ambassador Allan Wagner.<\/div>\nReading of the ruling of the International Court of Justice in The Hague on the maritime delimitation between Peru and Chile, 27 January 2014. Statements by the Agent of Peru, Ambassador Allan Wagner.<\/figure><\/a>\n<\/div>\nExtradition Treaty between Peru and Great Britain, signed in 1904. General Directorate of Treaties of the MRE. Photo: Manuel Guardia.<\/div>\nExtradition Treaty between Peru and Great Britain, signed in 1904. General Directorate of Treaties of the MRE. Photo: Manuel Guardia.<\/figure><\/a>\n<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nThe Ministry of Foreign Affairs has helped to forge a sense of the State in Peru. Peruvian society demands an increasingly inclusive Ministry of Foreign Affairs, attentive to gender equity, open to Peruvian cultural and linguistic diversity, so that it is a true instrument for the formation of a more prosperous, just, egalitarian, diverse, creative and democratic Peru.<\/p>\n\n\n\n<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/figure><\/a>\n<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/figure><\/a>\n<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\n","protected":false},"featured_media":2866,"menu_order":7,"template":"","tipo":[32,27],"class_list":["post-3262","actividades","type-actividades","status-publish","has-post-thumbnail","hentry","tipo-archive","tipo-exhibitions","entry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades\/3262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades"}],"about":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/types\/actividades"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media\/2866"}],"wp:attachment":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media?parent=3262"}],"wp:term":[{"taxonomy":"tipo","embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/tipo?post=3262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"https:\/\/www.ccincagarcilaso.gob.pe\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-27-at-1.15.32-PM.png\"){kind=link}
![\n<\/div>\nAlegor\u00eda de la Uni\u00f3n Americana (Allegory of the American Union), 1865. Mariano Florentino Olivares. Oil on canvas adhered to nordex, 51.5 x 40.5 cm. Lima Museum of Art. Donated by Jorge Roa.<\/div>\nAlegor\u00eda de la Uni\u00f3n Americana (Allegory of the American Union), 1865. Mariano Florentino Olivares. Oil on canvas adhered to nordex, 51.5 x 40.5 cm. Lima Museum of Art. Donated by Jorge Roa.<\/figure><\/a>\n<\/div>\nPhoto: Manuel Guardia.<\/div>\nPhoto: Manuel Guardia.<\/figure><\/a>\n<\/div>\n\u201cConcurso universal de proyectos para el monumento que se construir\u00e1 en memoria del combate del Callao\u201d (“Universal competition of projects for the monument to be built in memory of the Battle of Callao”). Models submitted to the international competition for the monument to the Combat of the Second of May, held in Paris. Engraving, 15.5 x 24.5 cm. Vladimir Vel\u00e1squez Collection.<\/div>\n\u201cConcurso universal de proyectos para el monumento que se construir\u00e1 en memoria del combate del Callao\u201d (“Universal competition of projects for the monument to be built in memory of the Battle of Callao”). Models submitted to the international competition for the monument to the Combat of the Second of May, held in Paris. Engraving, 15.5 x 24.5 cm. Vladimir Vel\u00e1squez Collection.<\/figure><\/a>\n<\/div>\nVenus india, circa (Indian Venus, circa) 1927. Ram\u00f3n Mateu. Modelled by the Valencian sculptor in Cuzco, it was cast in Spain and donated to Torre Tagle in 1931 by Chancellor Larco Herrera. Cast bronze 87 x 87 x 34 cm. Photo: D. Giannoni.<\/div>\nVenus india, circa (Indian Venus, circa) 1927. Ram\u00f3n Mateu. Modelled by the Valencian sculptor in Cuzco, it was cast in Spain and donated to Torre Tagle in 1931 by Chancellor Larco Herrera. Cast bronze 87 x 87 x 34 cm. Photo: D. Giannoni.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nIn this way, the Ministry of Foreign Affairs has helped to determine the contours of our nationality, and then to place Peru in the world as a peaceful and cooperative country, successively and simultaneously Americanist, Latin Americanist, Andean, and at the origin of integration schemes such as the Andean Community, the South American Community of Nations and the Pacific Alliance, as well as many regional initiatives for political concertation, crisis resolution and the defence of democracy.<\/p>\n\n\n\n<\/div>\n“House of the Viceroys”, also known as the palace of Torre Tagle. Photograph attributed to Villroy L. Richardson. Lima, 1863. Printed on albuminated paper. Vladimir Vel\u00e1squez Collection.<\/div>\n“House of the Viceroys”, also known as the palace of Torre Tagle. Photograph attributed to Villroy L. Richardson. Lima, 1863. Printed on albuminated paper. Vladimir Vel\u00e1squez Collection.<\/figure><\/a>\n<\/div>\nRemodelling of Torre Tagle, 1957. Photo: H. Acevedo \/ La Prensa. Vladimir Vel\u00e1squez Collection.<\/div>\nRemodelling of Torre Tagle, 1957. Photo: H. Acevedo \/ La Prensa. Vladimir Vel\u00e1squez Collection.<\/figure><\/a>\n<\/div>\nEntrance hall and main courtyard, when it still had the swimming pool. 1930s. Photos: M. Gonz\u00e1lez Salazar. Vladimir Vel\u00e1squez Collection.<\/div>\nEntrance hall and main courtyard, when it still had the swimming pool. 1930s. Photos: M. Gonz\u00e1lez Salazar. Vladimir Vel\u00e1squez Collection.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nDiplomatic history also shows Peru and its diplomats as protagonists of crucial multilateral efforts for the world, such as the human rights regime, sustainable development, the law of the sea and the fight against climate change.<\/p>\n\n\n\n<\/div>\nRa\u00fal Porras Barrenechea and V\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. MRE Central Archive.<\/div>\nRa\u00fal Porras Barrenechea and V\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. MRE Central Archive.<\/figure><\/a>\n<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. Central Archive of the MRE.<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. Central Archive of the MRE.<\/figure><\/a>\n<\/div>\nReading of the ruling of the International Court of Justice in The Hague on the maritime delimitation between Peru and Chile, 27 January 2014. Statements by the Agent of Peru, Ambassador Allan Wagner.<\/div>\nReading of the ruling of the International Court of Justice in The Hague on the maritime delimitation between Peru and Chile, 27 January 2014. Statements by the Agent of Peru, Ambassador Allan Wagner.<\/figure><\/a>\n<\/div>\nExtradition Treaty between Peru and Great Britain, signed in 1904. General Directorate of Treaties of the MRE. Photo: Manuel Guardia.<\/div>\nExtradition Treaty between Peru and Great Britain, signed in 1904. General Directorate of Treaties of the MRE. Photo: Manuel Guardia.<\/figure><\/a>\n<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nThe Ministry of Foreign Affairs has helped to forge a sense of the State in Peru. Peruvian society demands an increasingly inclusive Ministry of Foreign Affairs, attentive to gender equity, open to Peruvian cultural and linguistic diversity, so that it is a true instrument for the formation of a more prosperous, just, egalitarian, diverse, creative and democratic Peru.<\/p>\n\n\n\n<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/figure><\/a>\n<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/figure><\/a>\n<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\n","protected":false},"featured_media":2866,"menu_order":7,"template":"","tipo":[32,27],"class_list":["post-3262","actividades","type-actividades","status-publish","has-post-thumbnail","hentry","tipo-archive","tipo-exhibitions","entry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades\/3262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades"}],"about":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/types\/actividades"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media\/2866"}],"wp:attachment":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media?parent=3262"}],"wp:term":[{"taxonomy":"tipo","embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/tipo?post=3262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"https:\/\/www.ccincagarcilaso.gob.pe\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-27-at-1.14.52-PM.png\"){kind=link}
![\n<\/div>\nPhoto: Manuel Guardia.<\/div>\nPhoto: Manuel Guardia.<\/figure><\/a>\n<\/div>\n\u201cConcurso universal de proyectos para el monumento que se construir\u00e1 en memoria del combate del Callao\u201d (“Universal competition of projects for the monument to be built in memory of the Battle of Callao”). Models submitted to the international competition for the monument to the Combat of the Second of May, held in Paris. Engraving, 15.5 x 24.5 cm. Vladimir Vel\u00e1squez Collection.<\/div>\n\u201cConcurso universal de proyectos para el monumento que se construir\u00e1 en memoria del combate del Callao\u201d (“Universal competition of projects for the monument to be built in memory of the Battle of Callao”). Models submitted to the international competition for the monument to the Combat of the Second of May, held in Paris. Engraving, 15.5 x 24.5 cm. Vladimir Vel\u00e1squez Collection.<\/figure><\/a>\n<\/div>\nVenus india, circa (Indian Venus, circa) 1927. Ram\u00f3n Mateu. Modelled by the Valencian sculptor in Cuzco, it was cast in Spain and donated to Torre Tagle in 1931 by Chancellor Larco Herrera. Cast bronze 87 x 87 x 34 cm. Photo: D. Giannoni.<\/div>\nVenus india, circa (Indian Venus, circa) 1927. Ram\u00f3n Mateu. Modelled by the Valencian sculptor in Cuzco, it was cast in Spain and donated to Torre Tagle in 1931 by Chancellor Larco Herrera. Cast bronze 87 x 87 x 34 cm. Photo: D. Giannoni.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nIn this way, the Ministry of Foreign Affairs has helped to determine the contours of our nationality, and then to place Peru in the world as a peaceful and cooperative country, successively and simultaneously Americanist, Latin Americanist, Andean, and at the origin of integration schemes such as the Andean Community, the South American Community of Nations and the Pacific Alliance, as well as many regional initiatives for political concertation, crisis resolution and the defence of democracy.<\/p>\n\n\n\n<\/div>\n“House of the Viceroys”, also known as the palace of Torre Tagle. Photograph attributed to Villroy L. Richardson. Lima, 1863. Printed on albuminated paper. Vladimir Vel\u00e1squez Collection.<\/div>\n“House of the Viceroys”, also known as the palace of Torre Tagle. Photograph attributed to Villroy L. Richardson. Lima, 1863. Printed on albuminated paper. Vladimir Vel\u00e1squez Collection.<\/figure><\/a>\n<\/div>\nRemodelling of Torre Tagle, 1957. Photo: H. Acevedo \/ La Prensa. Vladimir Vel\u00e1squez Collection.<\/div>\nRemodelling of Torre Tagle, 1957. Photo: H. Acevedo \/ La Prensa. Vladimir Vel\u00e1squez Collection.<\/figure><\/a>\n<\/div>\nEntrance hall and main courtyard, when it still had the swimming pool. 1930s. Photos: M. Gonz\u00e1lez Salazar. Vladimir Vel\u00e1squez Collection.<\/div>\nEntrance hall and main courtyard, when it still had the swimming pool. 1930s. Photos: M. Gonz\u00e1lez Salazar. Vladimir Vel\u00e1squez Collection.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nDiplomatic history also shows Peru and its diplomats as protagonists of crucial multilateral efforts for the world, such as the human rights regime, sustainable development, the law of the sea and the fight against climate change.<\/p>\n\n\n\n<\/div>\nRa\u00fal Porras Barrenechea and V\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. MRE Central Archive.<\/div>\nRa\u00fal Porras Barrenechea and V\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. MRE Central Archive.<\/figure><\/a>\n<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. Central Archive of the MRE.<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. Central Archive of the MRE.<\/figure><\/a>\n<\/div>\nReading of the ruling of the International Court of Justice in The Hague on the maritime delimitation between Peru and Chile, 27 January 2014. Statements by the Agent of Peru, Ambassador Allan Wagner.<\/div>\nReading of the ruling of the International Court of Justice in The Hague on the maritime delimitation between Peru and Chile, 27 January 2014. Statements by the Agent of Peru, Ambassador Allan Wagner.<\/figure><\/a>\n<\/div>\nExtradition Treaty between Peru and Great Britain, signed in 1904. General Directorate of Treaties of the MRE. Photo: Manuel Guardia.<\/div>\nExtradition Treaty between Peru and Great Britain, signed in 1904. General Directorate of Treaties of the MRE. Photo: Manuel Guardia.<\/figure><\/a>\n<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nThe Ministry of Foreign Affairs has helped to forge a sense of the State in Peru. Peruvian society demands an increasingly inclusive Ministry of Foreign Affairs, attentive to gender equity, open to Peruvian cultural and linguistic diversity, so that it is a true instrument for the formation of a more prosperous, just, egalitarian, diverse, creative and democratic Peru.<\/p>\n\n\n\n<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/figure><\/a>\n<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/figure><\/a>\n<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\n","protected":false},"featured_media":2866,"menu_order":7,"template":"","tipo":[32,27],"class_list":["post-3262","actividades","type-actividades","status-publish","has-post-thumbnail","hentry","tipo-archive","tipo-exhibitions","entry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades\/3262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades"}],"about":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/types\/actividades"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media\/2866"}],"wp:attachment":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media?parent=3262"}],"wp:term":[{"taxonomy":"tipo","embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/tipo?post=3262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"https:\/\/www.ccincagarcilaso.gob.pe\/wp-content\/uploads\/2021\/07\/11-1.jpg\"){kind=link}
![\n<\/div>\n\u201cConcurso universal de proyectos para el monumento que se construir\u00e1 en memoria del combate del Callao\u201d (“Universal competition of projects for the monument to be built in memory of the Battle of Callao”). Models submitted to the international competition for the monument to the Combat of the Second of May, held in Paris. Engraving, 15.5 x 24.5 cm. Vladimir Vel\u00e1squez Collection.<\/div>\n\u201cConcurso universal de proyectos para el monumento que se construir\u00e1 en memoria del combate del Callao\u201d (“Universal competition of projects for the monument to be built in memory of the Battle of Callao”). Models submitted to the international competition for the monument to the Combat of the Second of May, held in Paris. Engraving, 15.5 x 24.5 cm. Vladimir Vel\u00e1squez Collection.<\/figure><\/a>\n<\/div>\nVenus india, circa (Indian Venus, circa) 1927. Ram\u00f3n Mateu. Modelled by the Valencian sculptor in Cuzco, it was cast in Spain and donated to Torre Tagle in 1931 by Chancellor Larco Herrera. Cast bronze 87 x 87 x 34 cm. Photo: D. Giannoni.<\/div>\nVenus india, circa (Indian Venus, circa) 1927. Ram\u00f3n Mateu. Modelled by the Valencian sculptor in Cuzco, it was cast in Spain and donated to Torre Tagle in 1931 by Chancellor Larco Herrera. Cast bronze 87 x 87 x 34 cm. Photo: D. Giannoni.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nIn this way, the Ministry of Foreign Affairs has helped to determine the contours of our nationality, and then to place Peru in the world as a peaceful and cooperative country, successively and simultaneously Americanist, Latin Americanist, Andean, and at the origin of integration schemes such as the Andean Community, the South American Community of Nations and the Pacific Alliance, as well as many regional initiatives for political concertation, crisis resolution and the defence of democracy.<\/p>\n\n\n\n<\/div>\n“House of the Viceroys”, also known as the palace of Torre Tagle. Photograph attributed to Villroy L. Richardson. Lima, 1863. Printed on albuminated paper. Vladimir Vel\u00e1squez Collection.<\/div>\n“House of the Viceroys”, also known as the palace of Torre Tagle. Photograph attributed to Villroy L. Richardson. Lima, 1863. Printed on albuminated paper. Vladimir Vel\u00e1squez Collection.<\/figure><\/a>\n<\/div>\nRemodelling of Torre Tagle, 1957. Photo: H. Acevedo \/ La Prensa. Vladimir Vel\u00e1squez Collection.<\/div>\nRemodelling of Torre Tagle, 1957. Photo: H. Acevedo \/ La Prensa. Vladimir Vel\u00e1squez Collection.<\/figure><\/a>\n<\/div>\nEntrance hall and main courtyard, when it still had the swimming pool. 1930s. Photos: M. Gonz\u00e1lez Salazar. Vladimir Vel\u00e1squez Collection.<\/div>\nEntrance hall and main courtyard, when it still had the swimming pool. 1930s. Photos: M. Gonz\u00e1lez Salazar. Vladimir Vel\u00e1squez Collection.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nDiplomatic history also shows Peru and its diplomats as protagonists of crucial multilateral efforts for the world, such as the human rights regime, sustainable development, the law of the sea and the fight against climate change.<\/p>\n\n\n\n<\/div>\nRa\u00fal Porras Barrenechea and V\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. MRE Central Archive.<\/div>\nRa\u00fal Porras Barrenechea and V\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. MRE Central Archive.<\/figure><\/a>\n<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. Central Archive of the MRE.<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. Central Archive of the MRE.<\/figure><\/a>\n<\/div>\nReading of the ruling of the International Court of Justice in The Hague on the maritime delimitation between Peru and Chile, 27 January 2014. Statements by the Agent of Peru, Ambassador Allan Wagner.<\/div>\nReading of the ruling of the International Court of Justice in The Hague on the maritime delimitation between Peru and Chile, 27 January 2014. Statements by the Agent of Peru, Ambassador Allan Wagner.<\/figure><\/a>\n<\/div>\nExtradition Treaty between Peru and Great Britain, signed in 1904. General Directorate of Treaties of the MRE. Photo: Manuel Guardia.<\/div>\nExtradition Treaty between Peru and Great Britain, signed in 1904. General Directorate of Treaties of the MRE. Photo: Manuel Guardia.<\/figure><\/a>\n<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nThe Ministry of Foreign Affairs has helped to forge a sense of the State in Peru. Peruvian society demands an increasingly inclusive Ministry of Foreign Affairs, attentive to gender equity, open to Peruvian cultural and linguistic diversity, so that it is a true instrument for the formation of a more prosperous, just, egalitarian, diverse, creative and democratic Peru.<\/p>\n\n\n\n<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/figure><\/a>\n<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/figure><\/a>\n<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\n","protected":false},"featured_media":2866,"menu_order":7,"template":"","tipo":[32,27],"class_list":["post-3262","actividades","type-actividades","status-publish","has-post-thumbnail","hentry","tipo-archive","tipo-exhibitions","entry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades\/3262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades"}],"about":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/types\/actividades"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media\/2866"}],"wp:attachment":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media?parent=3262"}],"wp:term":[{"taxonomy":"tipo","embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/tipo?post=3262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"https:\/\/www.ccincagarcilaso.gob.pe\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-28-at-4.37.36-PM.png\"){kind=link}
![\n<\/div>\nVenus india, circa (Indian Venus, circa) 1927. Ram\u00f3n Mateu. Modelled by the Valencian sculptor in Cuzco, it was cast in Spain and donated to Torre Tagle in 1931 by Chancellor Larco Herrera. Cast bronze 87 x 87 x 34 cm. Photo: D. Giannoni.<\/div>\nVenus india, circa (Indian Venus, circa) 1927. Ram\u00f3n Mateu. Modelled by the Valencian sculptor in Cuzco, it was cast in Spain and donated to Torre Tagle in 1931 by Chancellor Larco Herrera. Cast bronze 87 x 87 x 34 cm. Photo: D. Giannoni.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nIn this way, the Ministry of Foreign Affairs has helped to determine the contours of our nationality, and then to place Peru in the world as a peaceful and cooperative country, successively and simultaneously Americanist, Latin Americanist, Andean, and at the origin of integration schemes such as the Andean Community, the South American Community of Nations and the Pacific Alliance, as well as many regional initiatives for political concertation, crisis resolution and the defence of democracy.<\/p>\n\n\n\n<\/div>\n“House of the Viceroys”, also known as the palace of Torre Tagle. Photograph attributed to Villroy L. Richardson. Lima, 1863. Printed on albuminated paper. Vladimir Vel\u00e1squez Collection.<\/div>\n“House of the Viceroys”, also known as the palace of Torre Tagle. Photograph attributed to Villroy L. Richardson. Lima, 1863. Printed on albuminated paper. Vladimir Vel\u00e1squez Collection.<\/figure><\/a>\n<\/div>\nRemodelling of Torre Tagle, 1957. Photo: H. Acevedo \/ La Prensa. Vladimir Vel\u00e1squez Collection.<\/div>\nRemodelling of Torre Tagle, 1957. Photo: H. Acevedo \/ La Prensa. Vladimir Vel\u00e1squez Collection.<\/figure><\/a>\n<\/div>\nEntrance hall and main courtyard, when it still had the swimming pool. 1930s. Photos: M. Gonz\u00e1lez Salazar. Vladimir Vel\u00e1squez Collection.<\/div>\nEntrance hall and main courtyard, when it still had the swimming pool. 1930s. Photos: M. Gonz\u00e1lez Salazar. Vladimir Vel\u00e1squez Collection.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nDiplomatic history also shows Peru and its diplomats as protagonists of crucial multilateral efforts for the world, such as the human rights regime, sustainable development, the law of the sea and the fight against climate change.<\/p>\n\n\n\n<\/div>\nRa\u00fal Porras Barrenechea and V\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. MRE Central Archive.<\/div>\nRa\u00fal Porras Barrenechea and V\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. MRE Central Archive.<\/figure><\/a>\n<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. Central Archive of the MRE.<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. Central Archive of the MRE.<\/figure><\/a>\n<\/div>\nReading of the ruling of the International Court of Justice in The Hague on the maritime delimitation between Peru and Chile, 27 January 2014. Statements by the Agent of Peru, Ambassador Allan Wagner.<\/div>\nReading of the ruling of the International Court of Justice in The Hague on the maritime delimitation between Peru and Chile, 27 January 2014. Statements by the Agent of Peru, Ambassador Allan Wagner.<\/figure><\/a>\n<\/div>\nExtradition Treaty between Peru and Great Britain, signed in 1904. General Directorate of Treaties of the MRE. Photo: Manuel Guardia.<\/div>\nExtradition Treaty between Peru and Great Britain, signed in 1904. General Directorate of Treaties of the MRE. Photo: Manuel Guardia.<\/figure><\/a>\n<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nThe Ministry of Foreign Affairs has helped to forge a sense of the State in Peru. Peruvian society demands an increasingly inclusive Ministry of Foreign Affairs, attentive to gender equity, open to Peruvian cultural and linguistic diversity, so that it is a true instrument for the formation of a more prosperous, just, egalitarian, diverse, creative and democratic Peru.<\/p>\n\n\n\n<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/figure><\/a>\n<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/figure><\/a>\n<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\n","protected":false},"featured_media":2866,"menu_order":7,"template":"","tipo":[32,27],"class_list":["post-3262","actividades","type-actividades","status-publish","has-post-thumbnail","hentry","tipo-archive","tipo-exhibitions","entry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades\/3262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades"}],"about":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/types\/actividades"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media\/2866"}],"wp:attachment":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media?parent=3262"}],"wp:term":[{"taxonomy":"tipo","embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/tipo?post=3262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"https:\/\/www.ccincagarcilaso.gob.pe\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-28-at-4.36.22-PM.png\"){kind=link}
![\n<\/div>\n“House of the Viceroys”, also known as the palace of Torre Tagle. Photograph attributed to Villroy L. Richardson. Lima, 1863. Printed on albuminated paper. Vladimir Vel\u00e1squez Collection.<\/div>\n“House of the Viceroys”, also known as the palace of Torre Tagle. Photograph attributed to Villroy L. Richardson. Lima, 1863. Printed on albuminated paper. Vladimir Vel\u00e1squez Collection.<\/figure><\/a>\n<\/div>\nRemodelling of Torre Tagle, 1957. Photo: H. Acevedo \/ La Prensa. Vladimir Vel\u00e1squez Collection.<\/div>\nRemodelling of Torre Tagle, 1957. Photo: H. Acevedo \/ La Prensa. Vladimir Vel\u00e1squez Collection.<\/figure><\/a>\n<\/div>\nEntrance hall and main courtyard, when it still had the swimming pool. 1930s. Photos: M. Gonz\u00e1lez Salazar. Vladimir Vel\u00e1squez Collection.<\/div>\nEntrance hall and main courtyard, when it still had the swimming pool. 1930s. Photos: M. Gonz\u00e1lez Salazar. Vladimir Vel\u00e1squez Collection.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nDiplomatic history also shows Peru and its diplomats as protagonists of crucial multilateral efforts for the world, such as the human rights regime, sustainable development, the law of the sea and the fight against climate change.<\/p>\n\n\n\n<\/div>\nRa\u00fal Porras Barrenechea and V\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. MRE Central Archive.<\/div>\nRa\u00fal Porras Barrenechea and V\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. MRE Central Archive.<\/figure><\/a>\n<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. Central Archive of the MRE.<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. Central Archive of the MRE.<\/figure><\/a>\n<\/div>\nReading of the ruling of the International Court of Justice in The Hague on the maritime delimitation between Peru and Chile, 27 January 2014. Statements by the Agent of Peru, Ambassador Allan Wagner.<\/div>\nReading of the ruling of the International Court of Justice in The Hague on the maritime delimitation between Peru and Chile, 27 January 2014. Statements by the Agent of Peru, Ambassador Allan Wagner.<\/figure><\/a>\n<\/div>\nExtradition Treaty between Peru and Great Britain, signed in 1904. General Directorate of Treaties of the MRE. Photo: Manuel Guardia.<\/div>\nExtradition Treaty between Peru and Great Britain, signed in 1904. General Directorate of Treaties of the MRE. Photo: Manuel Guardia.<\/figure><\/a>\n<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nThe Ministry of Foreign Affairs has helped to forge a sense of the State in Peru. Peruvian society demands an increasingly inclusive Ministry of Foreign Affairs, attentive to gender equity, open to Peruvian cultural and linguistic diversity, so that it is a true instrument for the formation of a more prosperous, just, egalitarian, diverse, creative and democratic Peru.<\/p>\n\n\n\n<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/figure><\/a>\n<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/figure><\/a>\n<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\n","protected":false},"featured_media":2866,"menu_order":7,"template":"","tipo":[32,27],"class_list":["post-3262","actividades","type-actividades","status-publish","has-post-thumbnail","hentry","tipo-archive","tipo-exhibitions","entry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades\/3262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades"}],"about":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/types\/actividades"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media\/2866"}],"wp:attachment":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media?parent=3262"}],"wp:term":[{"taxonomy":"tipo","embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/tipo?post=3262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"https:\/\/www.ccincagarcilaso.gob.pe\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-27-at-1.17.01-PM.png\"){kind=link}
![\n<\/div>\nRemodelling of Torre Tagle, 1957. Photo: H. Acevedo \/ La Prensa. Vladimir Vel\u00e1squez Collection.<\/div>\nRemodelling of Torre Tagle, 1957. Photo: H. Acevedo \/ La Prensa. Vladimir Vel\u00e1squez Collection.<\/figure><\/a>\n<\/div>\nEntrance hall and main courtyard, when it still had the swimming pool. 1930s. Photos: M. Gonz\u00e1lez Salazar. Vladimir Vel\u00e1squez Collection.<\/div>\nEntrance hall and main courtyard, when it still had the swimming pool. 1930s. Photos: M. Gonz\u00e1lez Salazar. Vladimir Vel\u00e1squez Collection.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nDiplomatic history also shows Peru and its diplomats as protagonists of crucial multilateral efforts for the world, such as the human rights regime, sustainable development, the law of the sea and the fight against climate change.<\/p>\n\n\n\n<\/div>\nRa\u00fal Porras Barrenechea and V\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. MRE Central Archive.<\/div>\nRa\u00fal Porras Barrenechea and V\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. MRE Central Archive.<\/figure><\/a>\n<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. Central Archive of the MRE.<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. Central Archive of the MRE.<\/figure><\/a>\n<\/div>\nReading of the ruling of the International Court of Justice in The Hague on the maritime delimitation between Peru and Chile, 27 January 2014. Statements by the Agent of Peru, Ambassador Allan Wagner.<\/div>\nReading of the ruling of the International Court of Justice in The Hague on the maritime delimitation between Peru and Chile, 27 January 2014. Statements by the Agent of Peru, Ambassador Allan Wagner.<\/figure><\/a>\n<\/div>\nExtradition Treaty between Peru and Great Britain, signed in 1904. General Directorate of Treaties of the MRE. Photo: Manuel Guardia.<\/div>\nExtradition Treaty between Peru and Great Britain, signed in 1904. General Directorate of Treaties of the MRE. Photo: Manuel Guardia.<\/figure><\/a>\n<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nThe Ministry of Foreign Affairs has helped to forge a sense of the State in Peru. Peruvian society demands an increasingly inclusive Ministry of Foreign Affairs, attentive to gender equity, open to Peruvian cultural and linguistic diversity, so that it is a true instrument for the formation of a more prosperous, just, egalitarian, diverse, creative and democratic Peru.<\/p>\n\n\n\n<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/figure><\/a>\n<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/figure><\/a>\n<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\n","protected":false},"featured_media":2866,"menu_order":7,"template":"","tipo":[32,27],"class_list":["post-3262","actividades","type-actividades","status-publish","has-post-thumbnail","hentry","tipo-archive","tipo-exhibitions","entry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades\/3262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades"}],"about":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/types\/actividades"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media\/2866"}],"wp:attachment":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media?parent=3262"}],"wp:term":[{"taxonomy":"tipo","embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/tipo?post=3262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"https:\/\/www.ccincagarcilaso.gob.pe\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-28-at-4.38.37-PM.png\"){kind=link}
![\n<\/div>\nEntrance hall and main courtyard, when it still had the swimming pool. 1930s. Photos: M. Gonz\u00e1lez Salazar. Vladimir Vel\u00e1squez Collection.<\/div>\nEntrance hall and main courtyard, when it still had the swimming pool. 1930s. Photos: M. Gonz\u00e1lez Salazar. Vladimir Vel\u00e1squez Collection.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nDiplomatic history also shows Peru and its diplomats as protagonists of crucial multilateral efforts for the world, such as the human rights regime, sustainable development, the law of the sea and the fight against climate change.<\/p>\n\n\n\n<\/div>\nRa\u00fal Porras Barrenechea and V\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. MRE Central Archive.<\/div>\nRa\u00fal Porras Barrenechea and V\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. MRE Central Archive.<\/figure><\/a>\n<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. Central Archive of the MRE.<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. Central Archive of the MRE.<\/figure><\/a>\n<\/div>\nReading of the ruling of the International Court of Justice in The Hague on the maritime delimitation between Peru and Chile, 27 January 2014. Statements by the Agent of Peru, Ambassador Allan Wagner.<\/div>\nReading of the ruling of the International Court of Justice in The Hague on the maritime delimitation between Peru and Chile, 27 January 2014. Statements by the Agent of Peru, Ambassador Allan Wagner.<\/figure><\/a>\n<\/div>\nExtradition Treaty between Peru and Great Britain, signed in 1904. General Directorate of Treaties of the MRE. Photo: Manuel Guardia.<\/div>\nExtradition Treaty between Peru and Great Britain, signed in 1904. General Directorate of Treaties of the MRE. Photo: Manuel Guardia.<\/figure><\/a>\n<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nThe Ministry of Foreign Affairs has helped to forge a sense of the State in Peru. Peruvian society demands an increasingly inclusive Ministry of Foreign Affairs, attentive to gender equity, open to Peruvian cultural and linguistic diversity, so that it is a true instrument for the formation of a more prosperous, just, egalitarian, diverse, creative and democratic Peru.<\/p>\n\n\n\n<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/figure><\/a>\n<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/figure><\/a>\n<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\n","protected":false},"featured_media":2866,"menu_order":7,"template":"","tipo":[32,27],"class_list":["post-3262","actividades","type-actividades","status-publish","has-post-thumbnail","hentry","tipo-archive","tipo-exhibitions","entry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades\/3262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades"}],"about":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/types\/actividades"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media\/2866"}],"wp:attachment":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media?parent=3262"}],"wp:term":[{"taxonomy":"tipo","embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/tipo?post=3262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"https:\/\/www.ccincagarcilaso.gob.pe\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-28-at-4.38.20-PM.png\"){kind=link}
![\n<\/div>\nRa\u00fal Porras Barrenechea and V\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. MRE Central Archive.<\/div>\nRa\u00fal Porras Barrenechea and V\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. MRE Central Archive.<\/figure><\/a>\n<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. Central Archive of the MRE.<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. Central Archive of the MRE.<\/figure><\/a>\n<\/div>\nReading of the ruling of the International Court of Justice in The Hague on the maritime delimitation between Peru and Chile, 27 January 2014. Statements by the Agent of Peru, Ambassador Allan Wagner.<\/div>\nReading of the ruling of the International Court of Justice in The Hague on the maritime delimitation between Peru and Chile, 27 January 2014. Statements by the Agent of Peru, Ambassador Allan Wagner.<\/figure><\/a>\n<\/div>\nExtradition Treaty between Peru and Great Britain, signed in 1904. General Directorate of Treaties of the MRE. Photo: Manuel Guardia.<\/div>\nExtradition Treaty between Peru and Great Britain, signed in 1904. General Directorate of Treaties of the MRE. Photo: Manuel Guardia.<\/figure><\/a>\n<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nThe Ministry of Foreign Affairs has helped to forge a sense of the State in Peru. Peruvian society demands an increasingly inclusive Ministry of Foreign Affairs, attentive to gender equity, open to Peruvian cultural and linguistic diversity, so that it is a true instrument for the formation of a more prosperous, just, egalitarian, diverse, creative and democratic Peru.<\/p>\n\n\n\n<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/figure><\/a>\n<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/figure><\/a>\n<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\n","protected":false},"featured_media":2866,"menu_order":7,"template":"","tipo":[32,27],"class_list":["post-3262","actividades","type-actividades","status-publish","has-post-thumbnail","hentry","tipo-archive","tipo-exhibitions","entry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades\/3262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades"}],"about":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/types\/actividades"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media\/2866"}],"wp:attachment":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media?parent=3262"}],"wp:term":[{"taxonomy":"tipo","embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/tipo?post=3262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"https:\/\/www.ccincagarcilaso.gob.pe\/wp-content\/uploads\/2021\/07\/CBP00399.jpg\"){kind=link}
![\n<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. Central Archive of the MRE.<\/div>\nV\u00edctor Andr\u00e9s Bela\u00fande at the United Nations. 1959. Central Archive of the MRE.<\/figure><\/a>\n<\/div>\nReading of the ruling of the International Court of Justice in The Hague on the maritime delimitation between Peru and Chile, 27 January 2014. Statements by the Agent of Peru, Ambassador Allan Wagner.<\/div>\nReading of the ruling of the International Court of Justice in The Hague on the maritime delimitation between Peru and Chile, 27 January 2014. Statements by the Agent of Peru, Ambassador Allan Wagner.<\/figure><\/a>\n<\/div>\nExtradition Treaty between Peru and Great Britain, signed in 1904. General Directorate of Treaties of the MRE. Photo: Manuel Guardia.<\/div>\nExtradition Treaty between Peru and Great Britain, signed in 1904. General Directorate of Treaties of the MRE. Photo: Manuel Guardia.<\/figure><\/a>\n<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nThe Ministry of Foreign Affairs has helped to forge a sense of the State in Peru. Peruvian society demands an increasingly inclusive Ministry of Foreign Affairs, attentive to gender equity, open to Peruvian cultural and linguistic diversity, so that it is a true instrument for the formation of a more prosperous, just, egalitarian, diverse, creative and democratic Peru.<\/p>\n\n\n\n<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/figure><\/a>\n<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/figure><\/a>\n<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\n","protected":false},"featured_media":2866,"menu_order":7,"template":"","tipo":[32,27],"class_list":["post-3262","actividades","type-actividades","status-publish","has-post-thumbnail","hentry","tipo-archive","tipo-exhibitions","entry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades\/3262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades"}],"about":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/types\/actividades"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media\/2866"}],"wp:attachment":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media?parent=3262"}],"wp:term":[{"taxonomy":"tipo","embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/tipo?post=3262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"https:\/\/www.ccincagarcilaso.gob.pe\/wp-content\/uploads\/2021\/07\/CBP00402.jpg\"){kind=link}
![\n<\/div>\nReading of the ruling of the International Court of Justice in The Hague on the maritime delimitation between Peru and Chile, 27 January 2014. Statements by the Agent of Peru, Ambassador Allan Wagner.<\/div>\nReading of the ruling of the International Court of Justice in The Hague on the maritime delimitation between Peru and Chile, 27 January 2014. Statements by the Agent of Peru, Ambassador Allan Wagner.<\/figure><\/a>\n<\/div>\nExtradition Treaty between Peru and Great Britain, signed in 1904. General Directorate of Treaties of the MRE. Photo: Manuel Guardia.<\/div>\nExtradition Treaty between Peru and Great Britain, signed in 1904. General Directorate of Treaties of the MRE. Photo: Manuel Guardia.<\/figure><\/a>\n<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nThe Ministry of Foreign Affairs has helped to forge a sense of the State in Peru. Peruvian society demands an increasingly inclusive Ministry of Foreign Affairs, attentive to gender equity, open to Peruvian cultural and linguistic diversity, so that it is a true instrument for the formation of a more prosperous, just, egalitarian, diverse, creative and democratic Peru.<\/p>\n\n\n\n<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/figure><\/a>\n<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/figure><\/a>\n<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\n","protected":false},"featured_media":2866,"menu_order":7,"template":"","tipo":[32,27],"class_list":["post-3262","actividades","type-actividades","status-publish","has-post-thumbnail","hentry","tipo-archive","tipo-exhibitions","entry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades\/3262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades"}],"about":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/types\/actividades"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media\/2866"}],"wp:attachment":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media?parent=3262"}],"wp:term":[{"taxonomy":"tipo","embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/tipo?post=3262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"https:\/\/www.ccincagarcilaso.gob.pe\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-27-at-1.17.36-PM.png\"){kind=link}
![\n<\/div>\nExtradition Treaty between Peru and Great Britain, signed in 1904. General Directorate of Treaties of the MRE. Photo: Manuel Guardia.<\/div>\nExtradition Treaty between Peru and Great Britain, signed in 1904. General Directorate of Treaties of the MRE. Photo: Manuel Guardia.<\/figure><\/a>\n<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nThe Ministry of Foreign Affairs has helped to forge a sense of the State in Peru. Peruvian society demands an increasingly inclusive Ministry of Foreign Affairs, attentive to gender equity, open to Peruvian cultural and linguistic diversity, so that it is a true instrument for the formation of a more prosperous, just, egalitarian, diverse, creative and democratic Peru.<\/p>\n\n\n\n<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/figure><\/a>\n<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/figure><\/a>\n<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\n","protected":false},"featured_media":2866,"menu_order":7,"template":"","tipo":[32,27],"class_list":["post-3262","actividades","type-actividades","status-publish","has-post-thumbnail","hentry","tipo-archive","tipo-exhibitions","entry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades\/3262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades"}],"about":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/types\/actividades"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media\/2866"}],"wp:attachment":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media?parent=3262"}],"wp:term":[{"taxonomy":"tipo","embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/tipo?post=3262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"https:\/\/www.ccincagarcilaso.gob.pe\/wp-content\/uploads\/2021\/07\/3-2.png\"){kind=link}
![\n<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/div>\nRio Protocol. Historical Archive of Limits of the MRE. Photo: Manuel Guardia.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\nThe Ministry of Foreign Affairs has helped to forge a sense of the State in Peru. Peruvian society demands an increasingly inclusive Ministry of Foreign Affairs, attentive to gender equity, open to Peruvian cultural and linguistic diversity, so that it is a true instrument for the formation of a more prosperous, just, egalitarian, diverse, creative and democratic Peru.<\/p>\n\n\n\n<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/figure><\/a>\n<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/figure><\/a>\n<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\n","protected":false},"featured_media":2866,"menu_order":7,"template":"","tipo":[32,27],"class_list":["post-3262","actividades","type-actividades","status-publish","has-post-thumbnail","hentry","tipo-archive","tipo-exhibitions","entry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades\/3262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades"}],"about":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/types\/actividades"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media\/2866"}],"wp:attachment":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media?parent=3262"}],"wp:term":[{"taxonomy":"tipo","embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/tipo?post=3262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"https:\/\/www.ccincagarcilaso.gob.pe\/wp-content\/uploads\/2021\/07\/1.Protocolo-de-Ri\u0301oJPG-1.jpg\"){kind=link}
![\n<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/div>\nPeruvian Pavilion at the Ibero-American Fair in Seville, “neo-Peruvian” style, designed by Manuel Piqueras Cotol\u00ed, 1928.<\/figure><\/a>\n<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/figure><\/a>\n<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\n","protected":false},"featured_media":2866,"menu_order":7,"template":"","tipo":[32,27],"class_list":["post-3262","actividades","type-actividades","status-publish","has-post-thumbnail","hentry","tipo-archive","tipo-exhibitions","entry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades\/3262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades"}],"about":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/types\/actividades"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media\/2866"}],"wp:attachment":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media?parent=3262"}],"wp:term":[{"taxonomy":"tipo","embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/tipo?post=3262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"https:\/\/www.ccincagarcilaso.gob.pe\/wp-content\/uploads\/2021\/07\/Feria-Sevilla-G-scaled.jpg\"){kind=link}
![\n<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/div>\nPresentation of Matrimonios de Mart\u00edn de Loyola con Beatriz \u00d1usta and de Juan de Borja con Lorenza \u00d1usta de Loyola, at the Museo del Prado, Arco 2019, Madrid. Photo: Museo del Prado.<\/figure><\/a>\n<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\n","protected":false},"featured_media":2866,"menu_order":7,"template":"","tipo":[32,27],"class_list":["post-3262","actividades","type-actividades","status-publish","has-post-thumbnail","hentry","tipo-archive","tipo-exhibitions","entry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades\/3262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades"}],"about":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/types\/actividades"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media\/2866"}],"wp:attachment":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media?parent=3262"}],"wp:term":[{"taxonomy":"tipo","embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/tipo?post=3262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"https:\/\/www.ccincagarcilaso.gob.pe\/wp-content\/uploads\/2021\/07\/Captura-de-Pantalla-2021-07-05-a-las-13.39.12.png\"){kind=link}
![\n<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/div>\nAmazon\u00edas, at Matadero-Madrid. Organised by the Centro Cultural Inca Garcilaso of the Ministry of Foreign Affairs and the Museo de Arte de Lima, it was one of the parallel exhibitions at the Arco-Madrid 2019 Fair, with Peru as guest of honour.<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\n","protected":false},"featured_media":2866,"menu_order":7,"template":"","tipo":[32,27],"class_list":["post-3262","actividades","type-actividades","status-publish","has-post-thumbnail","hentry","tipo-archive","tipo-exhibitions","entry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades\/3262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades"}],"about":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/types\/actividades"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media\/2866"}],"wp:attachment":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media?parent=3262"}],"wp:term":[{"taxonomy":"tipo","embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/tipo?post=3262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"https:\/\/www.ccincagarcilaso.gob.pe\/wp-content\/uploads\/2021\/07\/IMG_3260-scaled.jpg\"){kind=link}