{"id":3260,"date":"2021-08-25T16:19:25","date_gmt":"2021-08-25T21:19:25","guid":{"rendered":"https:\/\/www.ccincagarcilaso.gob.pe\/actividades\/de-la-patria-nueva-al-bicentenario\/"},"modified":"2025-07-01T10:31:06","modified_gmt":"2025-07-01T15:31:06","slug":"de-la-patria-nueva-al-bicentenario","status":"publish","type":"actividades","link":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/activities\/de-la-patria-nueva-al-bicentenario\/","title":{"rendered":"From the New homeland to the Bicentennial"},"content":{"rendered":"

Jorge Villacorta and Carlo Trivelli<\/strong><\/p>\n

The exhibition reviews, through photography, some of the social, economic, political and cultural processes of the last hundred years that have shaped Peru, which today celebrates the bicentennial of its independence between conflicts, challenges and achievements.
\nThe celebrations for the first centenary of independence marked the decade of the 1920s, during which President Augusto B. Legu\u00eda promoted the modernisation of the country. Legu\u00eda promoted the modernising project he would call La Patria Nueva (The New Homeland). It was a period of economic growth, centralism, political conflict and cultural ferment.
\nThe opposition between Hispanism and indigenism as ways of conceiving the country underlies much of the history of the last century and contemporary Peru. That tension would be expressed in the social and political processes that shaped Peru today, such as the Agrarian Reform promoted by General Juan Velasco Alvarado, the migration from the countryside to the city and the war unleashed by Sendero Luminoso.
\nTerritory has always been a determining factor in the conception of the country in its fractures, a source of wealth and depredation, as well as of natural disasters.
\nCultural diversity, a product of regional heterogeneity and migration, is perhaps the most characteristic factor of Peruvian society. The cities that emerged from migratory processes have become a melting pot of expressions and traditions.
\nThe recognition of the rights of women, in a society marked by strong gender differences, has been another major challenges of the last century. Progress has certainly been made, but there is still a long way to go.
\nThe fervours of Peruvian society are another of its characteristics. Different forms of religiosity, ancestral traditions, gastronomy and football are some of them.
\nNow that we celebrate the bicentennial of our independence, civic movements take on special importance. We are still a country under construction.<\/p>\n

\n
\n\n
<\/div>\n
1.Rikio Sugano : Estudio Shirasaka. Balc\u00f3n de la declaraci\u00f3n de la Independencia en Huaura, 1923 – 1924<\/div>\n
1.Rikio Sugano : Estudio Shirasaka. Balc\u00f3n de la declaraci\u00f3n de la Independencia en Huaura, 1923 – 1924<\/figure><\/a>\n
<\/div>\n
35.Vera-Lentz.-Mujer-muestra-la-foto-carnet-de-un-familiar-desaparecido-en-Ayacucho,-1984<\/div>\n
35.Vera-Lentz.-Mujer-muestra-la-foto-carnet-de-un-familiar-desaparecido-en-Ayacucho,-1984<\/figure><\/a>\n
<\/div>\n
14.Ernesto Jim\u00e9nez, Toma de tierras de la comunidad de Macar\u00ed, Melgar, Puno, 1985<\/div>\n
14.Ernesto Jim\u00e9nez, Toma de tierras de la comunidad de Macar\u00ed, Melgar, Puno, 1985<\/figure><\/a>\n
<\/div>\n
31.Sergio Urday – Alberto Fujimori revisa instalaciones de colegio Elvira Garc\u00eda y Garcia marzo 1991 Archivo Caretas<\/div>\n
31.Sergio Urday – Alberto Fujimori revisa instalaciones de colegio Elvira Garc\u00eda y Garcia marzo 1991 Archivo Caretas<\/figure><\/a>\n
<\/div>\n
33.Gilmar P\u00e9rez. Abimael Guzm\u00e1n, l\u00edder de Sendero Luminoso es presentado a la prensa luego de su captura, setiembre 1992. Archivo Caretas<\/div>\n
33.Gilmar P\u00e9rez. Abimael Guzm\u00e1n, l\u00edder de Sendero Luminoso es presentado a la prensa luego de su captura, setiembre 1992. Archivo Caretas<\/figure><\/a>\n
<\/div>\n
56.Adrian Portugal – El retrato de la serie Agua Dulce 2006<\/div>\n
56.Adrian Portugal – El retrato de la serie Agua Dulce 2006<\/figure><\/a>\n
<\/div>\n
22.Roberto Huarcaya. Pamplona-Casuarinas, de la serie Panor\u00e1micas de Lima, 2011<\/div>\n
22.Roberto Huarcaya. Pamplona-Casuarinas, de la serie Panor\u00e1micas de Lima, 2011<\/figure><\/a>\n
<\/div>\n
49.Samuel Chambi – Patriomovil, de las serie Monumentos, 2013<\/div>\n
49.Samuel Chambi – Patriomovil, de las serie Monumentos, 2013<\/figure><\/a>\n
<\/div>\n
27.Victor Ch. Vargas Apagones Archivo Caretas<\/div>\n
27.Victor Ch. Vargas Apagones Archivo Caretas<\/figure><\/a>\n
<\/div>\n
48.Ernesto Benavides, sin t\u00edtulo de la serie Wanu<\/div>\n
48.Ernesto Benavides, sin t\u00edtulo de la serie Wanu<\/figure><\/a>\n
<\/div>\n
perro<\/div>\n
perro<\/figure><\/a>\n
<\/div>\n
89.Morfi-Jim\u00e9nez.-Sin-t\u00edtulo,-de-la-serie-Luz-de-las-entra\u00f1as,-2007-(1)<\/div>\n
89.Morfi-Jim\u00e9nez.-Sin-t\u00edtulo,-de-la-serie-Luz-de-las-entra\u00f1as,-2007-(1)<\/figure><\/a>\n
<\/div>\n
Presidential Vacancy<\/div>\n
Presidential Vacancy<\/figure><\/a>\n
<\/div>\n
RUSSIA SOCCER FIFA WORLD CUP 2018<\/div>\n
RUSSIA SOCCER FIFA WORLD CUP 2018<\/figure><\/a>\n
<\/div>\n
80.Fernando Guti\u00e9rrez Huanchaco. Basta de realidad, queremos una utop\u00eda, 2013<\/div>\n
80.Fernando Guti\u00e9rrez Huanchaco. Basta de realidad, queremos una utop\u00eda, 2013<\/figure><\/a>\n
<\/div>\n
70.M\u00f3nica Newton. Shipiba en Lima<\/div>\n
70.M\u00f3nica Newton. Shipiba en Lima<\/figure><\/a>\n
<\/div>\n
67.Cesar Manuel Jumpa, Mely Quispe, danzante de tijeras, de la serie Warmidanzaq, 2015<\/div>\n
67.Cesar Manuel Jumpa, Mely Quispe, danzante de tijeras, de la serie Warmidanzaq, 2015<\/figure><\/a>\n
<\/div>\n
66.Natalia-Igui\u00f1iz.-Charo-y-Rosario,-de-la-serie-La-otra,-2001<\/div>\n
66.Natalia-Igui\u00f1iz.-Charo-y-Rosario,-de-la-serie-La-otra,-2001<\/figure><\/a>\n
<\/div>\n
Stitched Panorama<\/div>\n
Stitched Panorama<\/figure><\/a><\/div>\n\n<\/span>\nPrevious<\/span>\n<\/a>\n\n<\/span>\nNext<\/span>\n<\/a>\n<\/div>\n\n","protected":false},"featured_media":3029,"menu_order":8,"template":"","tipo":[32,27],"class_list":["post-3260","actividades","type-actividades","status-publish","has-post-thumbnail","hentry","tipo-archive","tipo-exhibitions","entry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades\/3260","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/actividades"}],"about":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/types\/actividades"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media\/3029"}],"wp:attachment":[{"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/media?parent=3260"}],"wp:term":[{"taxonomy":"tipo","embeddable":true,"href":"https:\/\/www.ccincagarcilaso.gob.pe\/en\/wp-json\/wp\/v2\/tipo?post=3260"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}